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Old 02-19-2009, 11:13 PM   #1
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Still working on the Bogen CHA33, updates and more questions

Well I've been trying to tweak this thing, I've:
  • Changed the inputs to Cathode biased. 25uf/1k, cause that's all I had. Sounded better.
  • Removed R31 and installed 330r/25uf cathode resistor and cap on the power tubes.
  • Removed R34 and C17
  • Installed Screen resistors, 500r cause that's what I had.
  • 68k on top of the 100k NFB resistor.
  • Installed a 1/4 inch speaker jack.
  • Jumped pins 2 and 7 on V1.
I tried the amp with a variety of speaker cabs and it really wasn't sounding too good. No punch, not really that loud. It distorted but in a grungy, muddy way. The only way to get any really good tone was to dime it and push it with tube screamer.

I was looking at the heater supply and realized that the input 12AX7 and the 6AV6 heaters were padded down to 3 volts with a couple of .68r resistors. Why in hell would they do that? I bypassed them so the tubes would get the proper 6.3 volts and the gain went way up, and the amp sounded better. It got real squeally too when I dimed it though and I had to put tube shields on it to calm it down. I'll probably re-twist and reroute the heater wires.

I measured voltages and they are a lot higher than the schematic says. Table attached, see below.

Questions:
  • Would it do any good to replace the volume pots with 1 meg pots?
  • Midrange: Is R18 my midrange resistor? Can I replace it with a pot or change it to a different value? What value pot?
  • I read up on separate cathode resistors for the power tubes and was going to do it, then saw that the center tap of the heater supply was attached to that area. I researched it and saw that the reason for that is to reduce hum. Can I still do this with separate cathode resistors (How?) or should I just ground the center tap?
  • There is a .1 coupling cap prior to the tone stack, is this value ok?
  • Should I install 1500R grid stoppers like on a Fender?
  • What about a cathode bypass cap on the 6AV6?
  • Regarding bias, some folks say you don't need to adhere to the 70% rule with cathode bias, what's the deal?
This amp does not have dual rectifier tubes so I modified the schematic.

Updated schematics attached, before and after mods.

Oh, and I blew up a 25/25 cathode cap on the power tubes. Can't get 35 volts into a 25 volt bag. There were one or two other dumbass things I did that I won't relate.
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File Type: jpg cha33 voltages.jpg (56.7 KB, 11 views)
File Type: jpg CHA33A_modded03da.jpg (297.6 KB, 25 views)
File Type: jpg CHA33 unmodded.jpg (384.2 KB, 15 views)
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Last edited by Regis; 02-20-2009 at 05:03 AM.
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Old 02-20-2009, 01:14 AM   #2
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"I was looking at the heater supply and realized that the input 12AX7 and the 6AV6 heaters were padded down to 3 volts with a couple of .68r resistors."

Datasheets show that the heater currents at 6.3v for the 12AX7 (V1) and 6AV6 (V2) tubes are 0.3 amps each. Total current through the 0.68R resistors (R35 and R36) should be 0.6 amps.

0.6 x 0.68 = 0.41v dropped across each 0.68R resistor for a total voltage drop of 0.82v.

Assuming the voltage across points W and X is 6.3v (this should be checked), then 6.3 - 0.82 = 5.46v at the heaters of V1 and V2, not 3.0.

If the heaters have only 3v, then 6.3 - 3 = 3.3v is dropped across R35 and R36. This means that each resistor has 3.3 / 2 = 1.65v across it.

1.65 / 0.68 = 2.43 amps.
1.65 x 2.43 = 4 watts

It seems likely that R35 and R36 cannot dissipate 4 watts of power and would burn up instead. (Are R35 and R35 5W resistors?) Since it was not mentioned that they were burned up, it appears the voltage measurements cannot be correct; i.e. the heater voltages at V1 and V2 with R35 and R36 un-bypassed cannot be 3v because if they were, R35 and R36 would burn up. (Unless they are 5W resistors).

Bypassing R35 and R36 may not be a problem. It appears the resistors might be surge-limiting resistors to limit the surge current through V1 and V2 during power up. Another possibility is the resistors are there to cause V1 and V2 to heat up slower during power up than V3 and V4 to prevent V1 and V2 from driving V3 and V4 until V3 and V4 have had a better chance of warming up.
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Old 02-20-2009, 01:32 AM   #3
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my bogen conversion

You can see my bogen conversion in the schem.section of el34world.com
It sound great!
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Old 02-20-2009, 04:11 AM   #4
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“I measured voltages and they are a lot higher than the schematic says. Table attached.”

The schematic shows the B+ supply to V1 as being 200v (has this been verified?) and the plate voltages as being 90v. 90v is approximately 1/2 of 200v which means V1 in the unmodified amp is biased near the middle of the swing, which sounds correct.

Apparently the cathode bias mod is causing the problem, the plate voltage is 165 or 166 instead of being about 90v.

This means the tube is biased way off center of the swing, almost to cuttoff, which is probably the reason the amp sounds so bad.

It appears that the 1K cathode resistors are not compatible with the 220K plate resistors, R7 and R9.

Some typical Fender circuits show 1500R cathode resistors with 100KR plate resistors. You might try these values.

You can leave the 220K plate resistors in if you want and decrease the values of the cathode resistors until the plate voltage gets near 90v or so.

Last edited by tbryanh; 02-20-2009 at 05:54 AM.
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Old 02-20-2009, 05:36 AM   #5
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"Regarding bias, some folks say you don't need to adhere to the 70% rule with cathode bias, what's the deal?"

I have heard that bias can be adjusted either direction from the 70% mark (within reason) to affect the tone of the amp.

"Cold" and "hot" are some of the words used to describe bias settings. I think a hotter bias means increasing to 75%, 80%, etc., and a colder bias means decreasing to 65%, 60%, etc.
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Old 02-20-2009, 05:52 AM   #6
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It appears R21 was changed from 390R to 2.2KR. This appears to be upsetting the bias in a similar way to the bias mod that was made to V1. Consider changing R21 back to 390R.

This is probably another reason the amp sounds bad.
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Old 02-20-2009, 06:22 AM   #7
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V2 appear to be biased incorrectly the same way V1 and V3 are, but it is not clear why.

Since B+ to V2 is 200v (has this been verified?), it appears impossible for pin 7 to have 226v on it.

It does not appear that this part of the circuit has been modified.

It appears that the voltage on pin 2 of V2 is too high, 1.47v instead of 0.8v, causing V2 to be biased near or at cuttoff.

It could be that the voltage supplying R15 is too high (greater than 270v) (has this been checked?). If not, then it could be that the value of R14 or R15 drifted. (Both values could have drifted also.)
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Old 02-20-2009, 08:39 AM   #8
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If those heaters were truly running on 3v, then perhaps one of those .68 ohm resistors was open or had gotten very high in value? Bypassing them restored the circuit. If you meant you measured 3VAC to ground from either end, that means 6v across the heaters. In any case the original circuit was not designed to put 3v on those tubes.

My guess for the resistors is to slow their warm up time a little and increase tube life considerably. These amplifiers would be installed somewhere like a restaurant and expected to run forever.

DO me a favor and see if those resistors were on value or not.

Why do you want to separate the output cathode resistor into two? In any case, you can just connect the heater CT to one of them. It isn;t a signal connection, it is just using the free DC voltage there.


R18? So lift one end of it off its connection and clip in a pot with clip wires. Now you tell us how it sounds. It is 47k now, so a 50k pot seems reasonable. But a 100k pot lets you explore even further. Then you note methodically what range of the pot is actually useful adjustment, then get a pot of that value. The 50k pot might work OK, but if you find you would never turn it over about 20k, for example, then mount a 20k pot. Or whatever.

Bias? You don;t need to adhere to the 70% rule period. It is just a rule of thumb that many subscribe to. Your power amp is only part of the whole amp system, and the only way to determine just how you want this biased is to get the amp running and find out. What sounds best in one circuit is not always what sounds best in another.

Quote:
It appears R21 was changed from 390R to 2.2KR. This appears to be upsetting the bias in a similar way to the bias mod that was made to V1. Consider changing R21 back to 390R.
tbry - the 390 ohm cathode resistor didn;t work alone. There was originally the 100k R23 dawn from the 270v B+ node. He has removed that R23. They formed a voltage divider to set the bias at V3-7. All by itself, 390 ohms wouldn;t be right. He'd have to restore R23 as well. meanwhile, his V3 plates sit only 10v apart with a .1 diference at the cathodes, so I;d say it biased up fairly evenly.

This amp was working with fairly low level signals.
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Old 02-20-2009, 04:05 PM   #9
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I measured 6.4 volts ac on one side of the .68 resistors and 2.99 on the other. I'll recheck it again. They look like 5 or 7 watt resistors. I'll also check their value.

The voltages in the schematic are incorrect. All the voltages in the chart are accurate. I did measure the Vs, Vp, and Va voltages but forgot to include them in the chart and now I can't find them so I'll have to remeasure them and report. The amp was recapped and the voltages are higher than what is in the schematic.

The jumper on V1 was too hard to explain schematically, it was just a wire between the pins. I wanted to be able to mix and match the two channels, it works great.

R21 was changed on advice from Enzo and MWJB to install a presence control, thread here.

Enzo I wanted to separate the cathode resistors because I have a number of unmatched single 6L6's I'd like to try. It wouldn't seem to hurt anything and each tube would run better that way? Maybe not.
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Old 02-20-2009, 04:34 PM   #10
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1K per triode is a little on the small side for V1, use one 1K & 25uf cap, shared for BOTH triodes. Even so the preamp voltage is relatively low for a typial guitar amp, changing the plate resistors for V1 and the 6AV6 to 100K will help fidelity and lift plate voltages a bit. Be aware this amp was never a super reverb.

"Regarding bias, some folks say you don't need to adhere to the 70% rule with cathode bias, what's the deal?" That's because there is no 70% rule with cathode bias. If you had fixed bias amp running 30mA @ 400v it would still sound fine, in cathode bias the amp would start to sound pretty poor, you typically need a little more current in cathode bias to get comperable clean performance. As long as you have 40+mA (20-23W per tube) you should be fine.
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Old 02-20-2009, 08:40 PM   #11
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"I measured 6.4 volts ac on one side of the .68 resistors and 2.99 on the other. I'll recheck it again. They look like 5 or 7 watt resistors. I'll also check their value."

If after rechecking you find the voltage to be 2.99, then there is a problem. Check M2. It might be sinking current. What is M2, an indicator light?

"The voltages in the schematic are incorrect."

Were the voltages in the circuit measured before any modifications were made?

I doubt that Bogen put the wrong voltages in the schematic.

The plate voltage readings are way off of what they should be. Class A bias on preamps means the DC plate voltages should be about half of what the B+ supply voltages are, and the voltages recorded in the Bogen schematic indicate this: B+ for V1 is 200v and plate voltages on V1 are 90v, B+ for V2 is 200v and its plate voltage is 100v, and B+ for V3 is 270v and its plate voltages are 120v and 125v.

-Bryan
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Old 02-23-2009, 12:57 PM   #12
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Bryan wrote: "I doubt that Bogen put the wrong voltages in the schematic." Voltages were probably correct at the time that Bogen issued the schem, but wall voltages have risen since then so voltages noted will just be a rough guide (as they are for all 50's & 60's schematics).

Plus Regis has converted the inputs to cathode biased, rather than the original grid-leak, which will also have affected voltages.

Plate voltages of 90-125v will typically be rather low for most guitarists, so increasing cathode value at the inputs would be a good idea, perhaps reducing plate resistor value to 100K per triode too, then see what you have. If preamp plate voltages need to come up further then reduce the value of the preamp power supply dropping resistor in the B+ rail.

In most designs a 12AX7 will run more like 2/3 of the B+ voltage applied to the plate resistor. 12AY7 typically run nearer half.
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Old 02-26-2009, 01:06 AM   #13
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I've been offline since last Saturday, I got spanked pretty hard by a horrific virus and had to rebuild my computer, Windows and all. I've done more changes on the Bogen and will report in a couple of days, it's sounding much better.

Thanks to all for all the help.

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Old 03-02-2009, 05:12 AM   #14
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Consider setting up your Bogen amp to be similar to the Fender Deluxe AA763 amp. (Ignore the Vibrato stuff; i.e. only use the Normal path, driver, and power amp stages as guidelines.)

The AA763 has similar voltages and numbers of stages as the Bogen (2 preamp stages, a driver stage, and a power amp stage), and the component values in the AA763 should be helpful for you to make your Bogen amp sound good.

-Bryan
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Old 03-04-2009, 06:05 AM   #15
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Ok, I'm back. my computer was sick and so was I; I spent a week on my back with a bad cold.

Here are the additional changes I've made:
  • Lowered the plate resistors on the V1 and V3 to 100k to bump the voltage.
  • Lowered the midrange resistor to 25k to bump the midrange.
  • Added a 250P bright cap on the Channel 2 volume pot.
  • Pulled those .68 resistors in the heater circuit: One measured 4 ohms, the other was 24 ohms!!! Sheesh!
  • Changed the volume pot on Channel 1 to 1meg, not much of a difference so I didn't do Channel 2.
  • Inputs converted from grid leak bias to Fender style 33k/1meg cathode bias with shared 1k cathode resistor and cap.
  • Added 1/4 inch speakers jacks wired like a Fender amp.
  • Separate bias resistors and cathode caps for the 6l6's: 680R and 25/150. Bias current 52MA on each tube with a 5U4.
  • 500R screen resistors added.
  • Removed R34.
  • Removed C17.
  • Removed R31.
  • 82k NFB resistor was actually 100k, added parallel 68k.
I am going to add 1500r grid stoppers on the power tubes too but need to get new .033 caps first because they are little leaky.

I did another chart with voltages, see attached. Also the modded and original schematic, and a complete list of changes to the amp. I wasnt' sure of the supply voltage designations (Va, Vs, etc) so I put them in red on the modded schematic. Also, this CHA33 only has one rectifer tube so I modded the schematic accordingly.

The amp is now sounding good, kinda tweedy and brown. Funny tho, it doesn't really break up until you get close to diming it. The biggest noticable changes were the heater fix and bumping the voltages. Oh, and the midrange resistor.

Sounds good with a Tube Screamer, etc.

Kinda picking nits now, but I wouldn't mind a little more gain a little sooner. Is there anything I can change on the 6AV6 to bump it up some? Or anywhere else?

Also, what about changing the tonestack to something Fendery? I've cobbled a schematic for you to look at using the tonestack from the tweed Bassman. I modded it for a midrange resistor and not a pot because I don't have anywhere to shoehorn in another pot on the panel. I might put a switch in to go back and forth between a couple different mid resistors. Will that tonestack work or what should I do to make it work? There was a 33k and 100k resistor there that I wasn't sure if it was part of the tone stack.

More questions but that's enough for now. Thanks everybody.

I meant to take a few pics but maybe tomorrow, and at some point clips.

Regis
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File Type: jpg CHA33 unmodded.jpg (384.2 KB, 12 views)
File Type: jpg CHA33A_modded with bassman tonestack.jpg (227.5 KB, 11 views)
File Type: jpg bogen voltage chart.jpg (81.2 KB, 7 views)
File Type: jpg CHA33A_moddedA.jpg (230.5 KB, 10 views)
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File Type: txt bogen list of mods.txt (1,012 Bytes, 5 views)
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Old 03-04-2009, 09:27 AM   #16
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Reduce the value of R37, say 10K?

Remove R15, replace the 470ohm bypass resistor (R14) at the 6AV6 with 1.5K/25uf cap.

Remove the NFB loop or put it on a switch? If you remove the loop try a 25/25 bypass cap at R21 (you can put one there anyway but the bypass cap will affect the impact of the NFB loop). By the way I'm assuming that R27 is 2.2K NOT 100K.

Really to get more gain you'd be looking to completely rewire the PI as a long tail pair.
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Old 03-04-2009, 03:08 PM   #17
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Quote:
Originally Posted by MWJB View Post
Reduce the value of R37, say 10K?

Remove R15, replace the 470ohm bypass resistor (R14) at the 6AV6 with 1.5K/25uf cap.

Remove the NFB loop or put it on a switch? If you remove the loop try a 25/25 bypass cap at R21 (you can put one there anyway but the bypass cap will affect the impact of the NFB loop). By the way I'm assuming that R27 is 2.2K NOT 100K.

Really to get more gain you'd be looking to completely rewire the PI as a long tail pair.
MWJB, thanks for the quick reply and all your help.

Do you mean to reduce R37 by 10K, or to 10K?
Switchable NFB might be an idea, I don't want to lose my presence control you helped me with.
Yes, R27 is 2.2k, made a misteak on the schem, fixed.

I wondered about the phase inverter, that might be more than I want to mess with as I wouldn't know what values to use.

Any comments on my tone stack question?

I'll try the other changes tonight or tomorrow. I haven't been out of the house for a week, going on a road trip to north Georgia today.
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Old 03-04-2009, 03:41 PM   #18
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You would reduce R37 TO 10K. Reducing BY 10K would make very little difference as preamps draw very small currents, thus there would be little subsequent voltage rise. Probably not an audible difference by the time you've heated up the soldering iron and changed the part.

Looking at your 6L6 cathode resistors, 1x680R (not K surely?) per tube looks a bit on the small side for 489v. I'd try 1x470ohm or 680ohm per PAIR (double ohms value if you want to stick to independent cathode resistors).

I don't really have any comments regarding the tone stack Q., are you not able to EQ the amp satisfactorily? I can't actually hear your amp, nor can I hear what the plate fed bassman tonestack will sound like in it. The bassman tone stack is a cathode follower in the original amp, it'll sound different & have more gain if you run it plate fed from the 6AV6. You're free to do what you like here and see if it works, but the Bogen is a cathode biased, paraphase PI amp with low gain & low preamp voltages...most 2x6L6 guitar amps sold today are fixed bias, long tail PI with preamp plate voltages over 200v on a 12AX7.

Basically, if you wanted typical 60's, or later, amp tone you wouldn't buy the Bogen.

Converting to fixed bias would mean that it would be easier to rewire the PI (late 5F6A, see the RI schem, or 6G12A PIs would work).

I'd tweak the preamp voltages (R37), get the bias right (50mA per tube?), maybe try an 470-820ohm shared cathode resistor (put another 1K in parallel?) at the preamp 12AX7 to increase distortion & keep using the overdrive pedal if you still need more gain. Halving the value of R30 (2.2 to 2.7K) may help too.
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Old 03-04-2009, 03:47 PM   #19
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A split load PI may be easier for you to implement & is equally at home with fixed or cathode bias...see push-pull 5E# Fenders.
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Old 03-05-2009, 03:28 AM   #20
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"I wouldn't mind a little more gain a little sooner"

For more gain, consider inserting the second-half of V1 between the first-half of V1 and V2. This will add another preamp stage to the path.

Also, the amp probably needs to be setup for the stages to distort in the proper order.

From what I have heard, as the amp is driven harder and harder, the PA stage should distort first, then the splitter stage, then the last preamp stage, etc. on up to the first preamp stage.

This makes sense I think, because if the first preamp stage distorted first, the signal from the first preamp stage couldn't increase later to drive the other stages harder. So the other stages would never distort.

To set up the amp for the stages to distort in the proper order probably requires a scope and a signal generator. The interstage attenuators in the preamp stages would then be optimized. Not sure how to insure the PA distorts before the driver.

-Bryan

Last edited by tbryanh; 03-05-2009 at 03:37 AM.
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Old 03-05-2009, 09:14 AM   #21
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I would say that normally the opposite was true, you determine the character of the distortion in the early preamp stages, later stages tend to be cleaner, better headroom so as not to compound buzzy SE class A preamp distortion as the amp is pushed and the PA should be distorting once the amp is being pushed beyond is clean W RMS rating.

The amp should still be harmonically rich and full at moderate volume.

This is usually achieved by ear testing as a scope cannot tell you what the distortion sounds like.

In reality, all the stages should compliment each other. If the PA distorts first, at moderate volume, then that's it - you have no headroom.
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Old 03-05-2009, 03:59 PM   #22
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Looks like fun. I would use a 1.5k cathode resistor on V1 a&b and for more gain use the original 220k Plate load resistor r7 on V1 as well. Definitely use a 10k or so for r37. as previously mentioned redo the V2 cathode to 820 with 25uf bypass cap. you don't need r16 maybe use a .1 coupling cap instead. 1 meg volume pots are the way to go as well. Did you implement the bassman tone stack? If so try a 1 meg treble pot too. I would really go with the 100k in the NFB loop and maybe drop the presence pot to 5k L , this gives a better ratio of 20:1. Or disconnect it all together.
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Old 03-05-2009, 07:28 PM   #23
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For non-master-volume tweed-type amps such as the Bogen conversion here, I am pretty certain that most of the distortion comes from the PA. I am pretty sure that the heart of the classic rock sound is PA distortion.

Modern amps (master volume amps) are a different story. I am pretty certain that most of the distortion comes from the preamp stages in modern amps.

I am pretty sure that I read in one of Kevin OConnor's TUT books that amps are set up to distort in later stages first (be it preamp-only stages (as in master volume amps) or PA, splitter, preamp-stages (as in classic amps). The reason for this is it give more touch-control to the amp. It also allows the volume control on the guitar to act as a "tone" control.

I could be wrong, and I am having a hard time digging up the info in my collection of TUT books.

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Old 03-06-2009, 09:12 AM   #24
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I don't think it is helpful to really try and pinpoint where in a design distortion specifically occurs first. Most successful amp designs are quite balanced in this respect. I was really talking about typical amps from the late 50's onwards (many of which are still popular today). Master volume is not really a consideration as it can easily be added to or removed from any design, if you are clever you can design one that drops out of the circuit completely. Agreed though, that if you are the kind of player who keeps the master down and the gain up, you are introducing more SE preamp character.

The Bogen isn't really a tweed type amp, it's pretty typical of an early to mid 50's topology (though with higher PA voltages), note that the Bogen and most amps from that period ran very low preamp plate voltages, the lower the voltage you run at the plate the more distortion you get. With 90vdc on a 12AX7 in grid leak bias (original Bogen spec) the preamp will always be somewhat distorted, not a lot you can do at the PA to change that.
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Old 03-06-2009, 10:48 PM   #25
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Updates:

Paralleled another 1k on top of the 1k V1 cathode resistor, it helped a little, left it in.

Did the 1.5k/25uf at the cathode of the 6AV6, took it out again. Hard to describe, it just sounded bad.

Paralleled a 15k on top of R37, which raised the voltage on V1 to a little over 200 volts, that helped a lot.

MWJB, I have separate 680/25 resistors and caps on each power tube, with the tubes in it now the bias is at 53ma each. I know it is on the edge dissipating about 23 watts but that is within spec? You guys told me not to worry about bias.

Billy, I forgot to bypass R16, still will try it. I like the presence as is, but still might experiment.

The voltages on the PI are off some, Pin1 = 223 and pin 6 = 264, is that peculiar?

At this point the amp is sounding very good. Changing the tone stack and PI will stretch my skills and abilities so I might wait on that.

Swapping out parts in this amp sometimes is a bitch because of the PTP design and they did a pretty good job back in the sixties building these things, the leads are physically secured well and depending on where the connection is are sometimes difficult to remove without risking damage to a tube socket or something.

I want to do clips but I am in the middle of a mix in my studio and can't change the settings on the mixer. Next week maybe.

I took a few pictures so you guys can see what you've been helping with. The clean spot by the 5U4 is where I started cleaning 48 years worth of crud off the thing.

Thanks again everyone!
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File Type: jpg IMG_1018.JPG (334.2 KB, 8 views)
File Type: jpg IMG_1019.JPG (236.8 KB, 9 views)
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Regis is offline   Reply With Quote
Old 03-09-2009, 11:02 AM   #26
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23W/53mA per power tube is OK, I was just expecting a high plate voltage - so after subtracting cathode voltage you have 433v at the plate?
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Old 03-16-2009, 01:24 AM   #27
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Quote:
Originally Posted by Regis View Post
[*]82k NFB resistor was actually 100k, added parallel 68k.
The 68K resistor paralleled with the 100K would yield only about 40K ohms (if my maths is correct) for your NFB. Is that what you wanted/intended?

Have you considered putting something like a 100K linear pot there for a presence type control (not sure that's what you'd call it)? Then you can vary the NFB to suite you. You might want different levels of feedback based on what you're playing. Sorry if that's already been discussed.
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