It works like sonically superior hand-turned wooden control knobs or tone-reflecting paint on the inside of your cab (BTW if he wants, I got some of that paint for sale @ $500 1/2 pint).![]()
I have a guy asking this question in another forum. My belief is that balanced triodes in the PI slot of a ValveKing is not of any benefit. I came here to ask the experts. Can some of you members that are techs elaborate for me? I have read some high gain amps can benefit from it or hi fi equipment.
CharlieP
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(2)Peavey VK 112 2008
Fender SuperSonic 60W 112 2010
Met. Red LP Gibson Robot 2008
Faded Cherry LP Gibson 2007
Fender Strat HSS LSR S1 2008 Pearl
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It works like sonically superior hand-turned wooden control knobs or tone-reflecting paint on the inside of your cab (BTW if he wants, I got some of that paint for sale @ $500 1/2 pint).![]()
Building a better world (one tube amp at a time)
He claims he read it in a paper online. I read the link and the guy is trying to sell his special balancing above even that of most reputable tube vendors. I say it is snake oil! http://www.guitaramplifierblueprinti...dselection.pdf Page 39 - 42.
CharlieP
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(2)Peavey VK 112 2008
Fender SuperSonic 60W 112 2010
Met. Red LP Gibson Robot 2008
Faded Cherry LP Gibson 2007
Fender Strat HSS LSR S1 2008 Pearl
Fend FSR Tele Dlx Candy App 2011
Gretsch G5120 2007 Black
The balancing would only be of use in long-tail pair phase splitters that are also well balanced circuit wise (not too many guitar power amps are).
The PI in Valveking amps is a cathodyne circuit so balancing doesn't help at all since only one half of the dual triode tube is responsible for the phase splitting anyway. Furthermore, these amps have this "texture" control to deliberately unbalance the PI operation because unbalanced operation will introduce even order harmonic distortion, which many people find preferable in guitar amps.
These balanced tubes might have some benefit in some very rare HiFi amps but in guitar amps they have absolutely no use at all.
Last edited by teemuk; 09-14-2009 at 11:17 AM.
Hi all,
I see this "hi-fi blurb" appearing from time to time in "guitar amps" territory, and I fully agree with what you, tw and teemuk said.
Snake oil to the nth power.
Fidelity is something guitar players seldom ( or should I say never ) dig in a guitar amp; it has to be remembered that the various gain stages in a tube amp ( and the PI itself ) are used to shape the sound according to the taste of the designer ( and hopefully, of the "end user" ). As teemuk said, intentionally unbalancing the PI introduces some "asymmetry" in the resulting waveform, which, in turn, puts some emphasis on even harmonics.
Cheers
Bob
Hoc unum scio: me nihil scire.
And if you want my view, what all them said.
Balanced PI tubes is kind silly in the first place unless the whole rest of the PI circuit is carefully balanced. What good is a balanced tube if the resistors and caps are all 10%? Furthermore, balancing assumes that high fidelity is the goal, when in a guitar amp clearly it is not.
But teemuk hits the nail on the head. In the Valve King only ONE triode in the tube is used as the PI stage. SO the other side of the tube can;t "balance" with ANYTHING. SO even if balancing has SOME use in paired PI circuits, it wouldn;t in this case anyway.
Education is what you're left with after you have forgotten what you have learned.
That is basically what I am trying to get across to him. I told him I had posted this question here for him and I gave him the link to monitor what the professional community here had to say. He would not trust my opinion so if he won't trust the professionals accrued knowledge on the subject that is all I can do for him. I think I will stock up on that tone paint for him too!![]()
CharlieP
![]()
(2)Peavey VK 112 2008
Fender SuperSonic 60W 112 2010
Met. Red LP Gibson Robot 2008
Faded Cherry LP Gibson 2007
Fender Strat HSS LSR S1 2008 Pearl
Fend FSR Tele Dlx Candy App 2011
Gretsch G5120 2007 Black
I think the issue of balanced or not is one to leave alone. You can't convince the faithful. But in this circuit only one triode is in use as the PI, so even the hardest core audio tweak ought to understand that the balance idea doesn;t even apply here. They might make the case that a different PI might be "better" but that doesn;t alter that in a single triode PI, balanced is irrelevant.
Education is what you're left with after you have forgotten what you have learned.
CharlieP
![]()
(2)Peavey VK 112 2008
Fender SuperSonic 60W 112 2010
Met. Red LP Gibson Robot 2008
Faded Cherry LP Gibson 2007
Fender Strat HSS LSR S1 2008 Pearl
Fend FSR Tele Dlx Candy App 2011
Gretsch G5120 2007 Black
Just to reiterate what has already been said in this post...even with a long tail PI (or even a paraphase PI), if you want to introduce an "unbalanced sound" you typically have to start manipulating circuit values...using pretty well any tube with equal spec, but not necessarlily matched triodes (e.g. anything other than a 12DW7 with 2 unequal triodes) will still result in good enough fidelity for 99.9% of musicians (you always have to allow for that 0.1%...if they even exist) to not notice whether there's a matched PI tube or not. Some people even deliberately mismatch the 2 halves of a long tail PI because they like the sound.
If your tube vendor sells "matched triode" PI tubes at a few pennies more than non-matched, then you may as well go ahead, in case you have a customer like the OP's acquaintance, who simply won't be told that it doesn't matter...but don't spend significant amounts & certainly don't expect tonal revelations with a matched triode tube.
I have never come accross an amp with a long tail PI that didn't perform properly with any old, properly functioning, 12A?7 tube in the long tail PI.
The idea that the PI tube is "the most important tube in your amp" is utterly nonsensical. Fixed bias, push pull amps will still run with only one power tube, but they will all stop functioning altogether without any essential tube, whether it be input triode, PI or rectifier.
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