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| Music Electronics General discussion about music electronics |
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| | #1 |
| Member Join Date: Mar 2008
Posts: 67
| Op amp to Discrete Conversion - Possible?
Would it be possible to convert a preamp using op amps to transistors?
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| | #2 |
| Senior Member Join Date: May 2006 Location: Lansing, Michigan, USA
Posts: 9,271
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ANything is possible, but it would be highly impractical. The circuits would be nothing alike, and a whole new circuit board would be required.
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| | #3 |
| Pickup Maker Join Date: May 2006 Location: Montclair, NJ
Posts: 4,974
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There are some plans on the internet showing a discreet op amp made from transistors, but I'm sure it doesn't function like the real thing. The question is why would you want to do this? There's nothing wrong with the sound of a good op amp. |
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| | #4 |
| Member Join Date: Mar 2008
Posts: 67
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I just mistrust IC's, that's all. I have an ART tube MP that I wanted to hot rod a bit.
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| | #5 | ||
| Lifetime Member Join Date: May 2006
Posts: 871
| Quote:
Quote:
And why is it you trust transistors more than IC's? | ||
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| | #6 |
| Member Join Date: Mar 2008
Posts: 67
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Because I almost always prefer the sound of an older, discrete circuit to any chip based amps I've heard.
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| | #7 |
| Supporting Member Join Date: May 2006 Location: Glasgow, Scotland
Posts: 2,413
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That's probably because of the circuit topology, though, not the components. What do you think op-amps are made of inside? I disagree with R.G. on the objectionable distortion, though. A discrete JFET preamp with no global feedback will have sweet-sounding distortion that an op-amp (either monolithic or discrete) won't.
__________________ "Transformerless is the way to go", said he, without a hint of irony. |
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| | #8 |
| Pickup Maker Join Date: May 2006 Location: Montclair, NJ
Posts: 4,974
| IC op amps are made of transistors... they are pretty much made the exact same way. An op amp is a small multi transistor circuit, all in one package. That's why it's an "integrated circuit." it's not going to be hotrodding it. Swapping IC's for better ones would be though. |
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| | #9 | |
| Senior Member Join Date: Apr 2008 Location: PDX
Posts: 371
| Quote:
http://www.trt-wonder.com/page10.html he goes on for pages (the spray can is $100) and includes a description of an "infinitely blind" experiment which makes Clever Hans sound like particle physics... they sell caps too http://www.trt-wonder.com/page20.html things did sound better when I was a kid...before all that loud music took its toll on my ears. Last edited by tedmich; 10-01-2009 at 08:11 AM. | |
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| | #10 |
| Senior Member Join Date: Jul 2007 Location: Indianapolis
Posts: 675
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For all the work you're looking at investing in this, why not think about tube op-amps?
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| | #11 |
| Senior Member Join Date: May 2006 Location: Lansing, Michigan, USA
Posts: 9,271
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Hey! The original Philbrick units. Those are a favorite of Bob Pease at National.
__________________ Education is what you're left with after you have forgotten what you have learned. |
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| | #12 |
| Senior Member Join Date: Apr 2008 Location: Oceanside, NY
Posts: 609
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The generalization that discrete sounds better than opamps is entirely unfounded. I've seen, heard and repaired crappy-sounding discrete designs, and wonderful-sounding opamp designs e.g Music Man. Sure, you can do a wholesale rebuild on anything, but all you'll be able to use is the chassis and possibly the power transformer, because the circuit board will have to be designed from the ground up. |
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| | #13 |
| Senior Member Join Date: Jul 2007 Location: Indianapolis
Posts: 675
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Irregular, but enthusiastic reader of Pease Porridge.
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| | #14 |
| Senior Member Join Date: May 2006 Location: Lansing, Michigan, USA
Posts: 9,271
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His troubleshooting analog circuits book is a personal favorite - I learn something new every time I read it.
__________________ Education is what you're left with after you have forgotten what you have learned. |
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| | #15 |
| Senior Member Join Date: Aug 2007
Posts: 166
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wow, I can't believe that Bob was laid off by NSC in March - sign of the times. I bet NSC hired outside "consultants" to make that brilliant decision |
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| | #16 |
| Senior Member Join Date: Apr 2008 Location: PDX
Posts: 371
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| | #17 |
| Senior Member Join Date: May 2006 Location: Lansing, Michigan, USA
Posts: 9,271
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Does it come in surface mount too?
__________________ Education is what you're left with after you have forgotten what you have learned. |
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| | #18 | |
| Senior Member | Quote:
If I had to do it today I'd probably arrive at a J201 or LND150 or similar with a mosfet source follower. I'd use a large cathode bypass cap in line with a trim pot for a "factory set gain trim" and use resistive dividers and negative feedback with multi-pole switches for user gain adjustment a la early neve or trident a-range. That said- the best thing to do with an ART tube mp is leave it alone. It works so let it be. Build something different and learn from it. Try some of the stuff from Tape Op magazine. check this out: Hamptone JFP DIY jamie | |
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| | #19 | |
| Supporting Member Join Date: May 2006 Location: Glasgow, Scotland
Posts: 2,413
| Quote:
Do the guys who buy these things ever think about how many op-amps their album went through in the studio? I don't see why they have to hate on our little eight-legged friends. It's a scientific fact that the distortion on something like a NE5532 is inaudible, in fact you can prove it to yourself in a home lab using a null test. Burson quote THD of 0.0000whatever% for their discrete op-amp, so to me that says their distortion is inaudible too, and you're paying $148 to get no change at all. Of course the above statements apply at low gains, where negative feedback hides all of the amp's inherent distortion. If you take most of that feedback away, pushing the amp towards the limits of the gain it's capable of, for instance if you're running an op-amp with a gain of 60dB in a mic pre, then it might start to show its character. Since the open-loop gain of an op-amp falls with frequency, it'll show that character in the high end first. If the amp has a Class-AB output stage, it may be an unpleasant character with crossover distortion. So for something like a mic pre, I'd choose a circuit like Jamie's. A single-ended JFET input to make the distortion sweet, and a Class-A source follower output that can't generate nasty crossover distortion. Some designers like to take ordinary op-amps with Class-AB outputs, and hang a big DC load off the output, which essentially skews them into Class-A. And remember "All components on the silicone dice are formed by droplet of chemical." So they must sound bad, right?
__________________ "Transformerless is the way to go", said he, without a hint of irony. | |
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| The Following User Says Thank You to Steve Conner For This Useful Post: | dai h. (10-21-2009) |
| | #20 | |
| Senior Member Join Date: May 2006
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