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Why did Fender move to optocoupler trems?

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  • #16
    Originally posted by Chuck H View Post
    It's worth noting that the Champ and Princeton (their bottom two in the lineup) never changed to the opto circuit.
    Both of these amps have single channels and were bottom of the line student grade amps. Why spend money to redesign a more expensive circuit.

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    • #17
      Originally posted by 52 Bill View Post
      Both of these amps have single channels and were bottom of the line student grade amps. Why spend money to redesign a more expensive circuit.
      That was pretty much my point. The trem on both was less than great once they switched to higher plate voltages. But scew you cheapo! If you're not spending money above the bottom line your trem can suck for all we care
      "Take two placebos, works twice as well." Enzo

      "Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas

      "If you're not interested in opinions and the experience of others, why even start a thread?
      You can't just expect consent." Helmholtz

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      • #18
        I like the trem in my Vibro-Champ, and my Concert. I think the opto has its own sound, and can be faster & deeper at the same time (no innuendo, please...). It's crisper and cleaner. It definitely has its place, and in an ideal universe, I'd have several of each... . I play with a somewhat squishy style, so bias-wiggle works for me. I think the Brown/White trem is almost an oscillator, PI, and mini PP-amp on its own... And I have a hard time calling it a trem, when the most common comment on it is, "when did you get a Univibe?!?!"

        Re: 52Bill's comment, funny how the bottom of the barrel have become some of the most highly regarded...

        Justin
        "Wow it's red! That doesn't look like the standard Marshall red. It's more like hooker lipstick/clown nose/poodle pecker red." - Chuck H. -
        "Of course that means playing **LOUD** , best but useless solution to modern sissy snowflake players." - J.M. Fahey -
        "All I ever managed to do with that amp was... kill small rodents within a 50 yard radius of my practice building." - Tone Meister -

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        • #19
          Originally posted by Chuck H View Post
          But I would still opt for the BF reverb over the weirdo 5 triode wiggle trem. Never liked them. Vive la difference
          I like the "wiggle trem" all right, what I don't like (and many of my crustomers agree) is what that channel sounds like when the vibrato is switched off.

          OTOH if you're lucky enough to have one of those special brownie amps on hand, try this: Y-cord your guitar into that amp's vib channel plus another amp with no vibrato. Balance your signal between the two, also get your ears in the sweet spot between 'em, then hit the vib/trem button. Woooo-hoooo! Now that's a special sound. Granted not everyone in an audience could hear this but it's a lot of fun anyway. Someday I must try to capture it on a recording, maybe with a stereo mic or "dummy head" mic. Dummy head, besides my own that is.
          This isn't the future I signed up for.

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          • #20
            I just jump the channels, a la my Bassman... Also makes for some interesting sounds! And I made meself a footswitch for it, too. And since I slowed the trem down, it takes a good while for it to fade in and out. And I like to watch the speakers pulsars when there's no signal. But I don't think one channel is "better" than the other, just different. The Normal channel is definitely sharper and brighter, a tiny bit louder at the same knob settings...

            It also makes a good coffeehouse bass amp.

            Justin
            "Wow it's red! That doesn't look like the standard Marshall red. It's more like hooker lipstick/clown nose/poodle pecker red." - Chuck H. -
            "Of course that means playing **LOUD** , best but useless solution to modern sissy snowflake players." - J.M. Fahey -
            "All I ever managed to do with that amp was... kill small rodents within a 50 yard radius of my practice building." - Tone Meister -

            Comment


            • #21
              Originally posted by Leo_Gnardo View Post
              OTOH if you're lucky enough to have one of those special brownie amps on hand, try this: Y-cord your guitar into that amp's vib channel plus another amp with no vibrato. Balance your signal between the two, also get your ears in the sweet spot between 'em, then hit the vib/trem button. Woooo-hoooo! Now that's a special sound. Granted not everyone in an audience could hear this but it's a lot of fun anyway. Someday I must try to capture it on a recording, maybe with a stereo mic or "dummy head" mic. Dummy head, besides my own that is.
              I always liked doing that with Magnatones and Kustoms. Any amp with real vibrato, early phase shifting before the pedals.

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              • #22
                Originally posted by Justin Thomas View Post
                I just jump the channels, a la my Bassman... Also makes for some interesting sounds!
                Jumping channels on an amp where the channels are antiphase definitely makes for some interesting sounds when the vibrato's on, sort of an upside down vibrato. Can't play like that for a whole set but it does make for a good "surprise" break. Let 'em wonder "wtf, how'd he do dat?"
                This isn't the future I signed up for.

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                • #23
                  Out of phase when it's off, too! And you CAN do it for a whole set. I don't ever be the only electric guitar player, and I'm either filling in AS they keys, or being an adjunct to them.

                  Justin
                  "Wow it's red! That doesn't look like the standard Marshall red. It's more like hooker lipstick/clown nose/poodle pecker red." - Chuck H. -
                  "Of course that means playing **LOUD** , best but useless solution to modern sissy snowflake players." - J.M. Fahey -
                  "All I ever managed to do with that amp was... kill small rodents within a 50 yard radius of my practice building." - Tone Meister -

                  Comment


                  • #24

                    Originally posted by Leo_Gnardo View Post
                    That's a mighty nice string band!
                    East Texas Serenaders. Played a lot of ragtime.
                    The feller with the cheller used only 3 strings and glissed around like a Dixieland slide trombonist.
                    Can't hear it very well thru my tinny chromebook speakers.



                    Originally posted by Leo_Gnardo View Post
                    The guy on the right must have had a string endorsement. Who could afford to keep up with that gadget?
                    Michael Hedges.




                    Originally posted by Leo_Gnardo View Post
                    more string bands here, feast your eyes folks!
                    Once upon a time, every community had a mandolin orchestra (or so I've read).
                    There are revivalist groups around the world- one in Baltimore.

                    /
                    Last edited by rjb; 03-02-2016, 06:48 AM.
                    DON'T FEED THE TROLLS!

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