Originally posted by Mike Sulzer
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The key to my particular oversimplification is the input range of a tube and the voltage coefficient of a CC resistor. For the few brands of CC's that I could find either current or historic specs on VCR, you get to a percent or two of distortion at 70-100V of signal swing. At lower swings, the VCR distortion is proportionately lower.
Every tube has an input range for linear-ish input. This varies from Vgk= 0 down to cutoff. For a 12AX7, this is on the order of 1.5-2V, depending on the actual tube and maker's setup. Exceed this range, or even get close to it in the cutoff direction and distortion skyrockets. In a triode's case, the distortion is at first soft compression of the peaks, which is what VCR distortion from CCs would do. While the 12AX7 can easily get to 70-100V of swing on its plate, if you feed that unvarnished into another 12AX7 grid, the grid distorts long before the signal range for CC distortion is hit.
What happens in most cases (there's that broad brush again!) is that 12AX7 stages amplify the signal up by 20-30 times, then the signal is attenuated back down by things like tone/volume stacks and such. This process certainly can get a 100V signal down to the 1V or so level that can support CC VCR distortion. It gets tricky to balance signal amplification and attenuation to generate a big signal, then attenuate it down to where it's just right for the following triode stage to highlight the CC distortion.
Except in the PI (there's that's brush again!) where the PI needs to generate something like 70-100V signals to drive the grids of output tubes which do have the input grid range to take the unattenuated signal with CC distortion and amplify it.
So yes, I agree - the preamp could do this, but IMHO it's an unusual circumstance, and easily missed or masked by overload on triode gain stages. But on the PI plates, CC distortion can be brought up into easy audibility.
Originally posted by Malcom Irving
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