Don't have time to go thru all the posts to see if this one already listed: Klemp Echolette NG51 German tape echo unit.
Every paper-foil cap needs to be replaced and is like a trash compactor in there...typically multiple heads will be open and need replacement. Repair verrrry labor intensive & expensive.
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Non-stompbox vintage effects
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The 6th floor landing in the cinder block stairwell of my college dorm was just perfect for blowing blues harp.
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Not sure this counts in the same way but older records had to utilize making reverb in physical form.
https://reverb.com/news/6-echo-chamb...-popular-music
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https://www.google.com/search?q=spring+speaker+reverberator&source=lnms&tbm=isc h
spring speaker reverberator
https://www.youtube.com/watch?v=OTZGXUnvy-Q
Slinky Spring Reverb in a Cigar Box - Guitar Test
https://www.youtube.com/watch?v=MbCspUJKRDs
DIY Plate Reverb
https://www.youtube.com/watch?v=u6eZ_JbmBDw
Plate Echo - The Greatest Studio Effect Of All Time
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Originally posted by tboy View PostThe device I spoke of was not a "necklace reverb" and was not electronic or electro-mechanical. It was a purely mechanical contraption that was mounted in front of the speaker. I was hoping to find a photo or two because it really is a strange-looking thing, but so far I've seen no mention of it anywhere on the web.
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It was a purely mechanical contraption that was mounted in front of the speaker.
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Originally posted by tboy View PostBefore electronic spring-reverb units, there were mechanical spring-reverb devices...Originally posted by Helmholtz View Post...necklace reverbs were not any more mechanical/less electronic than Accutronics/Gibbs etc. reverb pans. Principle is the same.
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Originally posted by tboy View PostBefore electronic spring-reverb units, there were mechanical spring-reverb devices built into organ speaker cabinets. They were scary-looking things.
Electric motor excites a torsional wave that slowly propagates along the springs and induces a delayed signal voltage in the receiving generator. Multiple wave reflections add to reverb.Last edited by Helmholtz; 10-22-2020, 09:14 PM.
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The E-Bow got its mention, but that set off a nerve way back in my brain. Didn't I read about some gadget in the 1970's called the Gizmotron? Gizmo for short? Guitar Player covered it back then. Indeed, it got a mention on this website 14 Jun 2014 by the great waldo. https://music-electronics-forum.com/...ge2#post529398
Apparently Gizmotron is a motorized brush that fits on the guitar over the bridge. When the player switches it on, rotating bristles stroke the strings then it's a matter of hammering-on and palm-muting to get the chords & notes intended. 10cc's hit songwriting team Lol Creme and Kevin Godley are credited with having developed it in the mid 70's and there is a current version offered for sale.
Gizmotron website: https://www.gizmotron.com/aboutus
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Originally posted by Chuck H View PostThis is (said to be) Frampton's
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Talk box vs vocoder. Although the principles are different, (sound) effect is similar.
At the end, it all depends down to the inventiveness of the performers who use the instrument.
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Originally posted by vintagekiki View PostVocoder in the beginning (analog)
A talkbox has a similar sound to a vocoder, but the effect is achieved in a different manner.
When I was a kid, maybe fourteen or fifteen (I was already a nerd), I built my own talk box from parts I had around. The effects send on my amp went to a small amp that powered a speaker that I duct tapped into a funnel. A tube ran from the end of the funnel into my mouth. Then I plugged the mic into the effects return. Very rough version of the idea but I had some fun with it.
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Originally posted by Chuck H View PostI'm surprised I'm the first one bringing up the "talk box" offerings.
A talkbox has a similar sound to a vocoder, but the effect is achieved in a different manner.
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