Originally posted by angelodp
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Not bad. In a pinch I will sometimes grab some of the kid's construction paper and slather some pages with gorilla glue (the poly stuff that foams where not clamped) and clamp it between a board and my bench over night. I can make it in any thickness needed, it machines easily, will take an eyelet and will hold up to some quick soldering and wax potting. Green and yellow laminate is my favorite color.
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Originally posted by angelodp View PostOh.... ok... got that backwards
Cheers.
PS your pickups are very cool.
It's funny, though. I was actually thinking about maybe supplying this stuff at one point. I thought I had a good direct line to a factory, but it turned out to be unreliable so I didn't want to get into it (I'm amazed at some vendors' ineptitude with communications and follow-up sometimes). This area used to be a hot bed of manufacturing vulcanized fibre, and there's still a little of it around.
This old mill building is just down the road from my house:
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Originally posted by Stadler Guitars View PostIn a pinch I will sometimes grab some of the kid's construction paper and slather some pages with gorilla glue (the poly stuff that foams where not clamped) and clamp it between a board and my bench over night. I can make it in any thickness needed, it machines easily, will take an eyelet and will hold up to some quick soldering and wax potting. Green and yellow laminate is my favorite color.DON'T FEED THE TROLLS!
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A little off topic, but... Scott, can you talk a bit about your pickup designs... or point to a thread that does. Is your noiseless design proprietary.
That building would make a great headquarters for a guitar building operation.... dreaming here.
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Originally posted by angelodp View PostA little off topic, but... Scott, can you talk a bit about your pickup designs... or point to a thread that does. Is your noiseless design proprietary.
That building would make a great headquarters for a guitar building operation.... dreaming here.
-Rob
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Originally posted by rhgwynn View PostIt's not original per se, but Scott has the education, expertise, and experience that has enabled him to create a design that works quite well. You'll have to wait for him to tell you if he has any aspects of that design patented or not.
-Rob
Originally posted by angelodp View PostA little off topic, but... Scott, can you talk a bit about your pickup designs... or point to a thread that does. Is your noiseless design proprietary.
That building would make a great headquarters for a guitar building operation.... dreaming here.
There are a couple of threads here that have some good info. Just search Zexcoil, it's not a huge list of stuff.
I haven't actually talked in detail (except what I've written in the patent literature) about the designs. I will be doing more shortly, though.
I think most people here have a pretty good idea what's going on under the covers of our stuff, from a layout perspective anyway, but I'm constantly amazed that most people generally don't. One thing we do one-on-one (like in a booth at a show) is bring an unpotted pickup and show people what's going on under the cover. I'd say 75% of people have a physical reaction when we do this, their heads literally snap back and they go, "whoa"! I have fun doing this actually. You can talk all day with the covers on; "one-coil-per-string, blah, blah, blah" and people's eyes glaze over...then you take the cover off and they instantly "get it". They grab their buddy..."dude, look at this thing"!
A couple of things will be happening going forward. 1) we're going to start showing a little more about what's going on under the covers and 2) I'll be talking more about the technical aspects of how we model and target tonality. Stay tuned on timing on the first one. Timing on the second will depend somewhat on what the patent office does with some things I have in the queue.Last edited by ScottA; 03-24-2013, 07:04 PM.
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Originally posted by ScottA View PostThis old mill building is just down the road from my house:
[ATTACH=CONFIG]22566[/ATTACH]It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by Stadler Guitars View PostNot bad. In a pinch I will sometimes grab some of the kid's construction paper and slather some pages with gorilla glue (the poly stuff that foams where not clamped) and clamp it between a board and my bench over night. I can make it in any thickness needed, it machines easily, will take an eyelet and will hold up to some quick soldering and wax potting. Green and yellow laminate is my favorite color.
It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Garolite is good stuff. I have used black paper Garolite for fingerboards.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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