Everyone,
First post here so here goes, thx in advance:
I have been itching to wind and experiment with making a low-Z humbucker and have HUGELY appreciated the great posts and tips so far on this forum.
I started out by stripping an old GOTOH PAF to start, but sort of by accident I blew up a Joe Barden HB Two/Tone (rhythm PU thank goodness) because his old pickups used FLEA CLIPS instead of eyelets to terminate the coil windings, and the clip motion broke one of the coil wires when resoldering to extend the cable. I couldn't save the winding so cut and stripped the pickup.
Does anyone want specs or pics of the innards of this blade style PU? I don't have an inductance meter yet (plan to get one) but can share dimensions, photos, and approximate DCR for the tap points on this PU. I have the bridge PU intact and can do measurements on that as well.
I plan to rewind this PU with 32 gauge to start and use a Z matching transformer, then moderately preamp that. I would like to experiment with trying to duplicate the tonality switching features if possible in low Z.
The only low-Z pickup setup out there that is even close to what I would like to try to do with a low-Z Two/Tone is the Gibson Les Paul Recording/Triumph bass, which features taps on both coils of a humbucker, with switching that connects together the taps on both coils a la Two/Tone.
It would be interesting to play with this and see if the switch in tonality (humbuckerish/single-coilish) is possible with a low-Z pickup. I am going to try different reactances (R's and C's) on the low-Z side , before the xformer, to see if I can get typical humbucker and single-coil resonance peaks. I am going to use the old Gibson LP Recording and Professional/Personal schems for jumping off places.
I currently have an original set of Les Paul Signature pickups and stock wiring harness /controls that I put in a Ventura ES-330ish mutt guitar; that was what got me onto this low-Z bug.
Of course, if someone out there knows pretty down cold EXACTLY how the Joe Barden Two/Tone works (and it does work pretty well IMHO) an edifying explanation would be fantastic. I am even game for a discussion of how it probably works.
The puzzler for me is how this thing either gets or sounds like it gets, a narrow aperture (single coil width) sound, while still being a humbucker construction with two rails at normal polepiece spacing.
TIA,
Charlie
First post here so here goes, thx in advance:
I have been itching to wind and experiment with making a low-Z humbucker and have HUGELY appreciated the great posts and tips so far on this forum.
I started out by stripping an old GOTOH PAF to start, but sort of by accident I blew up a Joe Barden HB Two/Tone (rhythm PU thank goodness) because his old pickups used FLEA CLIPS instead of eyelets to terminate the coil windings, and the clip motion broke one of the coil wires when resoldering to extend the cable. I couldn't save the winding so cut and stripped the pickup.
Does anyone want specs or pics of the innards of this blade style PU? I don't have an inductance meter yet (plan to get one) but can share dimensions, photos, and approximate DCR for the tap points on this PU. I have the bridge PU intact and can do measurements on that as well.
I plan to rewind this PU with 32 gauge to start and use a Z matching transformer, then moderately preamp that. I would like to experiment with trying to duplicate the tonality switching features if possible in low Z.
The only low-Z pickup setup out there that is even close to what I would like to try to do with a low-Z Two/Tone is the Gibson Les Paul Recording/Triumph bass, which features taps on both coils of a humbucker, with switching that connects together the taps on both coils a la Two/Tone.
It would be interesting to play with this and see if the switch in tonality (humbuckerish/single-coilish) is possible with a low-Z pickup. I am going to try different reactances (R's and C's) on the low-Z side , before the xformer, to see if I can get typical humbucker and single-coil resonance peaks. I am going to use the old Gibson LP Recording and Professional/Personal schems for jumping off places.
I currently have an original set of Les Paul Signature pickups and stock wiring harness /controls that I put in a Ventura ES-330ish mutt guitar; that was what got me onto this low-Z bug.
Of course, if someone out there knows pretty down cold EXACTLY how the Joe Barden Two/Tone works (and it does work pretty well IMHO) an edifying explanation would be fantastic. I am even game for a discussion of how it probably works.
The puzzler for me is how this thing either gets or sounds like it gets, a narrow aperture (single coil width) sound, while still being a humbucker construction with two rails at normal polepiece spacing.
TIA,
Charlie
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