Originally posted by big_teee
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comparisons between 42# gauge and 43# gauge plain enamel.
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It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Use less scatter and more tension to increase the DCR and number of turns. In other words increase your turns per layer (TPL).
Switching over to 43 will change the entire dynamics of the pickup.
A tensioning device will help add consistant tension which will keep the coil thinner.
David,
I wind a 10K pickup in which I use 42 AWG SPN. I have to use 42 at this DCR or I wouldn't be able to get the tone I want from the pickup.
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Originally posted by kevinT View PostDavid,
I wind a 10K pickup in which I use 42 AWG SPN. I have to use 42 at this DCR or I wouldn't be able to get the tone I want from the pickup.
I'd rather made taller bobbins and stick with 42. But I've been doing some interesting guitar humbuckers with 43 and 44 lately.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by guitar_slinger8 View Postthanks guys, im gonna try to put more tensin and use more scatterIt would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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The equivalent of 9k worth of 42 is somewhere in the mid-11's in my experience. Except the coil would be more narrow and thus a bit thinner sounding, so you may have to add a few turns, and using a shallower bobbin would help too (not all humbucker bobbins are the same height).
Rough conversion formulas based on DCR may not be as accurate as turn counts, but in my experience they get you close enough to at least have to make only fine adjustments. Also, with some patterns having differences in pitch from turn to turn and layer to layer (which means some turns are longer than others even in the same layer), even turn counts might be a little fuzzier than at first glance if you're not using a pretty high TPL.
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Originally posted by big_teee View PostHey David:
Do you remember this thread? http://music-electronics-forum.com/t20673/
I wonder what happened to this guy and idea?
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