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Speaker driven reverb

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  • Speaker driven reverb

    Working on an old Ampeg Super Echo Twin, ET-2 that has the reverb tank driven by one of the speakers like other old amps.

    Got it working great but, this is such an easy cheap way to do it, why did amp makers get away from it?

    I think I need to try it for something I'm toying with.

  • #2
    One reason is because if the amp itself was turned up too loud, it distorted the reverb too. So if the signal was clipping, then went to the reverb tank, well, what's a clipped signal then sent to a reverb circuit which was probably also sent into overdrive...

    Ampeg's founder HATED rock & roll & distortion, even kicking bands out of the factory who's sound he didn't like.

    Put up a schematic! If it's anything like I'm thinking, it's kinda like one of those "speaker-driven" line-outs - if my Bassman is crunching away happily, so is it in everybody's monitors.

    Justin
    "Wow it's red! That doesn't look like the standard Marshall red. It's more like hooker lipstick/clown nose/poodle pecker red." - Chuck H. -
    "Of course that means playing **LOUD** , best but useless solution to modern sissy snowflake players." - J.M. Fahey -
    "All I ever managed to do with that amp was... kill small rodents within a 50 yard radius of my practice building." - Tone Meister -

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    • #3
      Well... I think it's significant to note that this is a stereo amp. A rarity really. One of the channels feeds the reverb and the other recovers it. In a self contained amp this is about the only way it can work. The rarity of the stereo format for vintage amps would explain the lack of this MO for reverb circuits.

      I built a dedicated reverb amp for a customer that filches power from the host amp to drive the reverb tank. It works great. It reverberates the sound of the WHOLE amp. It's especially nice when the host amp is overdriven because then THAT tone is reverberated rather than, as would be the case with mono amp built in reverb systems, the reverberated tone being distorted. But short of a dedicated amp for the purpose or a stereo amp with one channel pitching and the other channel catching it's not practical for mono amps. I think the Fender Champ 12 used a power amp driven reverb that used frequency and phase differentiation to skirt feedback problems within the closed loop circuit. IIRC it's reported to sound thin, weak and behave problematic.
      "Take two placebos, works twice as well." Enzo

      "Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas

      "If you're not interested in opinions and the experience of others, why even start a thread?
      You can't just expect consent." Helmholtz

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      • #4
        More than once I’ve had people bring me an odd guitar amp to fix and I have had to tell them it isn’t a guitar amp... it’s a Reverb amp. The most common was a Maestro (Gibson), but there were others. They connected to the speaker terminals of any combo amp with alligator clips. It’s basically an extension amp with a Reverb tank driven by the speaker signal of the other amp. Many times the “clip” cord gets cut off or falls off an people don’t understand why the amp doesn’t work with a guitar plugged into it after they install an input jack.

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        • #5
          Originally posted by olddawg View Post
          ...it isn’t a guitar amp... it’s a Reverb amp.
          I have one of those. It's of Valco manufacture, but the actual brand logo is missing -- probably a Supro. It's dang cool looking -- I'll take a picture and post it next time I run across the thing.
          -tb

          "If you're the only person I irritate with my choice of words today I'll be surprised" Chuck H.

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