I'm building an amp into an old Garnet PA head. (Yes, I feel guilty gutting one of Gar Gillies creations, with him so recently departed. I gutted it long before he died and am just now getting around to building something in it. It was unusable as a guitar amp, just didn't sound good, and nobody needs a 30 watt tube public address system that only accepts high impedance mics.)
The chassis has lots of holes (Looks like this one but it's all tube and has a reverb knob where the slave output is. Garnet Rebel - Welcome to garnetamps.com - Home of the Garnet Amplifier Company). I've had a field day coming up with stuff to fill those holes with (two channels (one tone stack), a tone stack bypass fader, a control to allow mixing of two different treble caps, post PI master, Vox hi-cut control and a resonance control). I'm pretty happy with how it's sounding.
Problem though, I can't get much of anything from the resonance control. I am completely inexperienced with these, having never heard one. I decided that I preferred not to use any negative feedback or a presence control. I'm starting to think that one or the other is a must in order for the resonance control to work. I'm getting nothing that I can say for sure is a change in tone. Here's what I've implemented Resonance Control for Fender Amps.
I'm not 100% sure where to hook the "feedback wire" end. I've used a standard Marshall PI and presently have the wire hooked to the ground end of the .1 cap/10K junction. I understand these things can be quite finicky and can vary depending on output impedance, etc. The amp has no impedance selector, it's 4 ohms all day, every day.
Can you guys help me get this thing working?
The chassis has lots of holes (Looks like this one but it's all tube and has a reverb knob where the slave output is. Garnet Rebel - Welcome to garnetamps.com - Home of the Garnet Amplifier Company). I've had a field day coming up with stuff to fill those holes with (two channels (one tone stack), a tone stack bypass fader, a control to allow mixing of two different treble caps, post PI master, Vox hi-cut control and a resonance control). I'm pretty happy with how it's sounding.
Problem though, I can't get much of anything from the resonance control. I am completely inexperienced with these, having never heard one. I decided that I preferred not to use any negative feedback or a presence control. I'm starting to think that one or the other is a must in order for the resonance control to work. I'm getting nothing that I can say for sure is a change in tone. Here's what I've implemented Resonance Control for Fender Amps.
I'm not 100% sure where to hook the "feedback wire" end. I've used a standard Marshall PI and presently have the wire hooked to the ground end of the .1 cap/10K junction. I understand these things can be quite finicky and can vary depending on output impedance, etc. The amp has no impedance selector, it's 4 ohms all day, every day.
Can you guys help me get this thing working?
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