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Another mystery amp
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I have no idea who made it, but it is a simple amp, four tubes. I don't count the rectifier, we all know what it does. A push pull output, we know what that ought to look like. Two channels. One of the tubes is the phase inverter. SO I bet if you sit down with a pad of paper and a pencil, you could draw up a schematic from the circuits in half an hour tops. If you are familiar with the circuits, and don't have to look up the tube pins, hell, 10-15 minutes.
I don't know where you are - really ought to include at least your nation on the profile - but since the power switch is labelled "mains" I assume this amp is not from the USA.Education is what you're left with after you have forgotten what you have learned.
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Originally posted by Enzo View PostI have no idea who made it, but it is a simple amp, four tubes. I don't count the rectifier, we all know what it does. A push pull output, we know what that ought to look like. Two channels. One of the tubes is the phase inverter. SO I bet if you sit down with a pad of paper and a pencil, you could draw up a schematic from the circuits in half an hour tops. If you are familiar with the circuits, and don't have to look up the tube pins, hell, 10-15 minutes.
I don't know where you are - really ought to include at least your nation on the profile - but since the power switch is labelled "mains" I assume this amp is not from the USA.
1. I will update my profile. Sorry this was my first post. I reside in South Africa. Also I am new to this addictive hobby and have no electronic background.
2. I will attempt to draw this circuit. Will be a good exercise. Don't feel too confident drawing it,,, but hey.. I have to learn.
3. I doubt this is a push pull amp. I'm thinking it is a PSE, 5 or 10w (although the OT is small for SE!). Also, this amp has a shitload of gain (hardly any cleans to speak of....even with single coils). So... Surely all this gain can't come from 1/2 a tube? Huge controlled feedback (would make a great rock recording amp).
Will keep you posted
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I don't want to be presumptuous, but you COULD have 1/2 AX7 each as a first gain stage per channel, then a second shared gain stage, then the tone stack, then a third shared gain stage right before a simple Cathodyne phase inverter, driving two Push-Pull 6V6s... main point, you could potentially get three gain stages out of it... since you actually have FOUR triodes to play with. But we'll know once you can draw it out.
Justin"Wow it's red! That doesn't look like the standard Marshall red. It's more like hooker lipstick/clown nose/poodle pecker red." - Chuck H. -
"Of course that means playing **LOUD** , best but useless solution to modern sissy snowflake players." - J.M. Fahey -
"All I ever managed to do with that amp was... kill small rodents within a 50 yard radius of my practice building." - Tone Meister -
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It is conceivable the two 6V6s are in parallel and thus single ended, but far more likely to be a push pull pair.
Pull up a schematic for an old Fender Deluxe, like the 5E3 or 5D3. I bet your circuit looks very similar.Education is what you're left with after you have forgotten what you have learned.
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Thanks guys,
The reason I suspect PSE, is because of the perceived power output. I have a 1961 vintage Epiphone (25w), which is WAY louder!! Will be great if I have a basic 5E3 circuit here. That was going to be my next build. So this would be a good donor chassis. The amp voicing is definitely NOT a Fender type voice, so will redo the tone stack. Actually, once I have checked the voltages, I will determine weather this is worth stripping or just modding.
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Loudness isn't a good indicator of power. Doubling or halving power is only a 3db change. Speaker efficiency can have just as large an effect.
Easy enough to determine. Are the two tube sockets wired in parallel or not? Are there three primary wires or two on the OT?Education is what you're left with after you have forgotten what you have learned.
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Have never come across a phase inverter like that before, but I think the 22n feeding the lower 6V6 should come off the PI plate, not the grid.Originally posted by EnzoI have a sign in my shop that says, "Never think up reasons not to check something."
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G1,
You are correct. My mistake, the 22n is supposed to come off the the plate of the v2b, which is feeding to the "inverted" 6v6. See updated schematic. Yes, the phase inverter is strange, but I wouldn't know...I am new to this game.. Also, weird tonestack (I think).
Would a bypass cap on the common cathode resistor increase power output?Last edited by Andresound; 12-19-2016, 06:52 AM.
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A bypass cap for the output tube cathodes won't increase power output, just gain.
So it will get to full power at a lower setting on the volume control.
Power output is pretty much set by the capability of the power supply (power transformer).Originally posted by EnzoI have a sign in my shop that says, "Never think up reasons not to check something."
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That phase inverter is called a "paraphase". It takes advantage of the fact that a standard common cathode stage inverts the signal, and uses the signal driving one of the power tubes as the input to another triode which creates the inverted signal for the other power tube. It looks like it's using negative feedback to control the gain so that both sides see roughly equal drive, but I bet it's not actually all that equal which is probably a factor in why, as you say, the amp sounds like it has a shitload of gain.
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It doesn't look like the "normal" way I've seen a Paraphase drawn, but I know that in either RDH3 or RDH4, there are a good 6 or 7 ways of phase splitting or inverting that are not seen commonly in guitar amps. I guess these days, there are only 2 in heavy use - Cathodyne & Schmidtt (LTPI)? Given the pros and cons listed for each, some of those unused ones sound like they might be worth considering in guitar amps. Fidelity? We don't need no stinkin' fidelity! So I shouldn't be surprised that a Mystery Amp has a Mystery PI.
Justin
To clarify: why it didn't look like a Paraphase to me is because it looks as though the full amplified signal of the first stage is passed straight to the grid of the inverting tube, without the usual voltage divider to knock the incoming inverting signal to the same level as the incoming non-inverting signal... weird, for sure!"Wow it's red! That doesn't look like the standard Marshall red. It's more like hooker lipstick/clown nose/poodle pecker red." - Chuck H. -
"Of course that means playing **LOUD** , best but useless solution to modern sissy snowflake players." - J.M. Fahey -
"All I ever managed to do with that amp was... kill small rodents within a 50 yard radius of my practice building." - Tone Meister -
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