FWIW I had a few hours up my sleeve so I tried this circuit (from Ch 4 in Merlin's 1st book) yesterday on one of my amps. There is quite a noticeable gain difference between each input.
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Parallel-to-single V1 stage
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Interesting then is the common advice that parallelstages DON'T increase gain. It could be that because of the lower impedance output the tone stack doesn't load the signal as much where a straight fed triode (coupling cap, 1M pot) might be less notable. I'd have to do math and stuff for that though."Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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It's necessarily increasing gain here, as the load is the same resistor for the two triodes. 1974X power Actually, i made a little mixer/buffer/splitter with two fets -same schematic as this one- and when using the two inputs, there's more gain and a "fatter" sound too. Crappy drawing, and i did not draw the mono-parallel switching, but :Last edited by kleuck; 01-15-2012, 10:03 AM.
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[QUOTE=kleuck;244519]It's necessarily increasing gain here, as the load is the same resistor for the two triodes. [\QUOTE]
Ah. Good catch. I wonder then what the tone/gain effect would be if each triode had it's own load resistor?"Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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[QUOTE=Chuck H;244549]Originally posted by kleuck View PostIt's necessarily increasing gain here, as the load is the same resistor for the two triodes. [\QUOTE]
Ah. Good catch. I wonder then what the tone/gain effect would be if each triode had it's own load resistor?
I did a 5F6ish style amp where I connected the grids of the first two V1 stages. With either vol pot cut down the amp is quieter than if you have both pots up at the same rotation, but its probably a function of the AC load from the two pots right?Attached FilesBuilding a better world (one tube amp at a time)
"I have never had to invoke a formula to fight oscillation in a guitar amp."- Enzo
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That's a good Q. Some 12ax7's are very dissimilar side to side. It could be the sort of amp that really makes a difference from one tube to another for tonal variation. It might even be fun to drop a 12dw7 in there (If the low mu triode happens to engage in parallel mode)."Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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Yeah I've tried different tubes in that V1 position in the '5F6B+' amp, and it makes no difference - the gain is always higher if you have both pots up at the same rotation, than if you have one pot cut. Mind you I have only tried this with the pots going up to about 7/10ths of full rotation - it gets too damn loud for my ears. It seems to make the most volume difference when you do this on the lower settings of the pots (But is this because of the difference in differing AC loads?, or because you hear vol differences more at lower power?)
Surely the voltage swing in the '5F6B+' amp V1 stage is not much different in either triode, and when you put two of the same voltage swings together, the voltage swing remains the same as a single voltage swing.
Now on the other hand, if you put twice as much current through a single plate resistor that is connected to two parallel stages, then the voltage drop across the resistor must double, and if the HT is still the same (as it was when you only had 1/2 as much current through the plate resistor) then the plate-to-cathode voltage must decrease somewhat, but does this add up to nil overall gain? I'd need to do a load line to see.
But whatever the answer is to that it seems to me that the neat thing about Merlin's circuit is that when you run both inputs in parallel you are getting more gain than when you are running the single stage input, because of the effect that the idling triode has on pulling the active stage's load line down somewhat when in single stage input mode (as well as the output impedance difference between single and parallel modes I guess).Building a better world (one tube amp at a time)
"I have never had to invoke a formula to fight oscillation in a guitar amp."- Enzo
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Remember that the tube by itself does not amplify the audio signal. You need to compare the effective before and after values of the anode resistor and the cathode circuitry to determine the gain difference between the single and parallel triode circuits. Tubeswell - Since you are using a 100k plate resistor and a 1k cathode resistor in your parallel triode circuit I would expect that you would get more gain than a single triode using common circuit component values for a Fenderish type input stage. The theory is explained in detail in the same section of Merlin's book that you referenced in the OP.
Regards,
Tom
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The last two posts are both correct...
-g
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Originally posted by hasserl View PostIt impacts the perceived gain, as the strength of the signal at the grid will be stronger, causing an increase in current across the tube."Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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