I googled the 'net figuring that this name had already been taken by someone
or other but no, it doesn't look like it. So FrankenstAmp it is, the name
chosen to reflect the fact that the design is a quiltwork of bits of existing
designs, much like the monster. Hopefully my amp will be a bit more civilized.
Time will tell.
The highlights of my design are :
the reverb and phase inverter for the push-pull configuration from Fender's
(blackface) AB763 series, the output sections from the Fender Champ, 5E3 Deluxe,
and Deluxe Reverb, and the bias circuit from a Marshall 1987. The overall
chassis layout is similar to a HiWatt. About the only thing that's mine are the
front and rear panel layouts.
Today I cut the circuit boards from 1/8" G-10. This stuff is incredibly durable.
A piece 1/8" x 1/8" x 3" (3mm x 3mm x 75mm) I can hardly bend, let alone
break in two.
I drew up some drilling templates for the holes and turrets :
The drilling template for the chassis top :
I plan to spray glue this to the top to hold it in place while I center punch
and drill the holes. I have similar drawings for the front and rear panels.
Full size drawing of the inside (still to be taped together), and the circuit
boards placed on top of the drawing :
I'll post updates to this thread as work progresses.
Paul P
or other but no, it doesn't look like it. So FrankenstAmp it is, the name
chosen to reflect the fact that the design is a quiltwork of bits of existing
designs, much like the monster. Hopefully my amp will be a bit more civilized.
Time will tell.
The highlights of my design are :
- two channels, one clean and one with tremolo (vibrato) and reverb
- Fender's patented 'harmonic' tremolo circuit
- spring reverb with an Accutronics medium delay type 9 tank
- power section configurable as one single ended 6v6, or two 6v6's in push-pull
- bias switchable between fixed bias and cathode bias individually for each 6v6
- separate fixed bias supplies for each 6v6
- 6 Tung-sol 12ax7s, 2 JAN Philips 12AT7s, 2 Tung-sol 6v6GTs, NOS RCA 5Y3GT
for single ended version and a NOS RCA 5U4GB or JJ GZ34 for push-pull
The preamps and tremolo circuit are from Fender's (brown) 6Gn-A series,- Fender's patented 'harmonic' tremolo circuit
- spring reverb with an Accutronics medium delay type 9 tank
- power section configurable as one single ended 6v6, or two 6v6's in push-pull
- bias switchable between fixed bias and cathode bias individually for each 6v6
- separate fixed bias supplies for each 6v6
- 6 Tung-sol 12ax7s, 2 JAN Philips 12AT7s, 2 Tung-sol 6v6GTs, NOS RCA 5Y3GT
for single ended version and a NOS RCA 5U4GB or JJ GZ34 for push-pull
the reverb and phase inverter for the push-pull configuration from Fender's
(blackface) AB763 series, the output sections from the Fender Champ, 5E3 Deluxe,
and Deluxe Reverb, and the bias circuit from a Marshall 1987. The overall
chassis layout is similar to a HiWatt. About the only thing that's mine are the
front and rear panel layouts.
Today I cut the circuit boards from 1/8" G-10. This stuff is incredibly durable.
A piece 1/8" x 1/8" x 3" (3mm x 3mm x 75mm) I can hardly bend, let alone
break in two.
I drew up some drilling templates for the holes and turrets :
The drilling template for the chassis top :
I plan to spray glue this to the top to hold it in place while I center punch
and drill the holes. I have similar drawings for the front and rear panels.
Full size drawing of the inside (still to be taped together), and the circuit
boards placed on top of the drawing :
I'll post updates to this thread as work progresses.
Paul P
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