Hey Bob,
Glad you didn't have one of the truly funky trannies. Like I mentioned, NFB was the "cure all" and coupled with the "strategic materials shortage" of the late 1940s-early 50s manufacturers were doing everything they could to innovatively cut costs and the tranny was a favorite target (and the OT has always been the favorite target of the HiFi set - just look at the number so fiendishly complicated OTL designs that continue to flourish). The interesting thing is that if I had more energy/interest and better tranny engineering background I suspect that it would be possible to use these windings to tweak circuit parameters with some cool results - but with my limited skills/interest I've only found out that these trannies don't lend themselves to the lazy "drop in" type of circuit design that I've become accustomed to (<grin> -lazy me). Fer instance, I wonder if one could take a relatively "high" impedance NFB winding and and use it to drive a "slave" output stage (create a virtual center tap, keep DC out of the winding, etc.)?
Anyhoo, the maroon and silver amp makes a nice conversion - just a tad of impedance mismatch (the Baldwin's 6L6GCs fed a 16 ohm load - the Bogen "A"s feed 8) but for guitar amps my philosophy is "see what it sounds like" before worrying about it.
Rob
Glad you didn't have one of the truly funky trannies. Like I mentioned, NFB was the "cure all" and coupled with the "strategic materials shortage" of the late 1940s-early 50s manufacturers were doing everything they could to innovatively cut costs and the tranny was a favorite target (and the OT has always been the favorite target of the HiFi set - just look at the number so fiendishly complicated OTL designs that continue to flourish). The interesting thing is that if I had more energy/interest and better tranny engineering background I suspect that it would be possible to use these windings to tweak circuit parameters with some cool results - but with my limited skills/interest I've only found out that these trannies don't lend themselves to the lazy "drop in" type of circuit design that I've become accustomed to (<grin> -lazy me). Fer instance, I wonder if one could take a relatively "high" impedance NFB winding and and use it to drive a "slave" output stage (create a virtual center tap, keep DC out of the winding, etc.)?
Anyhoo, the maroon and silver amp makes a nice conversion - just a tad of impedance mismatch (the Baldwin's 6L6GCs fed a 16 ohm load - the Bogen "A"s feed 8) but for guitar amps my philosophy is "see what it sounds like" before worrying about it.
Rob
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