that was a suggestion for if you tried all the other stuff and it didn't work, but I suppose you could just try it anyway. The idea would be to lift the ground of the output of the reverb with a little bit of resistance. I have no idea of an exact value (I think it should be low) but if you look at circuits doing this such as the reiss. Fender reverb(albeit not signal on this one), DOD 270 A/B box, some other things i've read of, the values are something like 15, 51, 10 ohms--so around there I would guess. One idea is to use a pot(VR wired), start at zero (with the ground loop hum present), then raise the resistance until the hum goes away.
the other thing though, the idea in theory is to hook things up so the redundant ground connection doesn't matter(makes no difference)--just like the stereo equipment example doesn't seem to, even though you make a loop (i.e. make a redundant connection).
the other idea sometimes seen/suggested is to use a big fat wire to connect the two pieces of equipment and (I guess) force them to be at the same potential).
these aren't things I've worked out in practice (yet), but seem correct (or at least a sensible direction) from what I know of the theory (which is not that much)
the other thing though, the idea in theory is to hook things up so the redundant ground connection doesn't matter(makes no difference)--just like the stereo equipment example doesn't seem to, even though you make a loop (i.e. make a redundant connection).
the other idea sometimes seen/suggested is to use a big fat wire to connect the two pieces of equipment and (I guess) force them to be at the same potential).
these aren't things I've worked out in practice (yet), but seem correct (or at least a sensible direction) from what I know of the theory (which is not that much)
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