I built an Allen Old Flame about a year ago. I chose this amp because I was interested in building an amp that came with a lot of build support and would be effective enough for me to gig with. I finally selected the Old Flame with the single 15” speaker. My goal was to make one like the famous Cesar Diaz modified Fender Vibros. Yep, I wanted “That” sound plus I wanted to learn as much as possible about tube amp circuitry without spending years researching and studying all of the electronics that pertain only to tube guitar amps. Well I received that in spades.
David is nothing if not an immensely patient and attentive individual (I guess that’s what it takes to be a successful engineer). It didn’t take all that long to put it together and many of my email questions were answered within an hour (even on the weekend that I chose to do this). I gained a boatload of knowledge and have an amp that satisfies my “Tone Jones” anytime that I use it.
I ended up with a single channel 40 watt AB763 based amp with reverb and a several niceties. I’ve also been working with tweed amps during this time and learned a lot about how tone controls/circuits really work. The “Raw” function in the OF lets you bypass the heavily scooped “Fender” tone stack and allows you to bring the mids back for a more tweed like tone. The effect is almost as good as using a Tweed Bassman and a SR in parallel. It becomes its own sound. While I’m not crazy about the way that a SR breaks up, I find that this amp responds very well to OD pedals. So you dial in your best clean sound and take it over the top with the OD pedal d’jour. (I’ve been using a Barber Burn Unit EQ EL. This effectively gives me 3 channels to work with and the effects loop opens up many more options)
I built it stock with the following mods:
TAD 6L6WGCs
NOS Phillips 5751 up front
NOS Mullard 12AT7s
SOZO caps in all of the Mallory positions
Weber 15A150 - 50w w/British ribbed cone per Ted’s rec.
(This kit came with an Em. Legend 151 but I couldn’t get it to break up the way I like. The 151 is rated at 150 Watts)
I know this sounds more like a HC review but I felt bad that no one is posting anything on the Allen Amps section. Yeah, these amps might be a little pricier than Ted’s equivalents but they really do represent circuits that have developed mods for guitar players and are well thought out to offer features that are great sounding in the BF genre. They’re also loaded with top quality components: David’s own Tranny’s, Sprague Electrolytics, Mallory 150s, Carbon comp resistors, etc.
http://www.allenamps.com/oldflame.html
So, based on this, I would highly recommend any of David’s “Supported” kits for first time builders. After you make the first one, you are now an “experienced builder” (you can look at virtually any kit on the web and feel confident that you can put it together and get it to work).
I hope that this represents my experience with David’s amps and provides enough info. for anyone that is interested in his kits.
David is nothing if not an immensely patient and attentive individual (I guess that’s what it takes to be a successful engineer). It didn’t take all that long to put it together and many of my email questions were answered within an hour (even on the weekend that I chose to do this). I gained a boatload of knowledge and have an amp that satisfies my “Tone Jones” anytime that I use it.
I ended up with a single channel 40 watt AB763 based amp with reverb and a several niceties. I’ve also been working with tweed amps during this time and learned a lot about how tone controls/circuits really work. The “Raw” function in the OF lets you bypass the heavily scooped “Fender” tone stack and allows you to bring the mids back for a more tweed like tone. The effect is almost as good as using a Tweed Bassman and a SR in parallel. It becomes its own sound. While I’m not crazy about the way that a SR breaks up, I find that this amp responds very well to OD pedals. So you dial in your best clean sound and take it over the top with the OD pedal d’jour. (I’ve been using a Barber Burn Unit EQ EL. This effectively gives me 3 channels to work with and the effects loop opens up many more options)
I built it stock with the following mods:
TAD 6L6WGCs
NOS Phillips 5751 up front
NOS Mullard 12AT7s
SOZO caps in all of the Mallory positions
Weber 15A150 - 50w w/British ribbed cone per Ted’s rec.
(This kit came with an Em. Legend 151 but I couldn’t get it to break up the way I like. The 151 is rated at 150 Watts)
I know this sounds more like a HC review but I felt bad that no one is posting anything on the Allen Amps section. Yeah, these amps might be a little pricier than Ted’s equivalents but they really do represent circuits that have developed mods for guitar players and are well thought out to offer features that are great sounding in the BF genre. They’re also loaded with top quality components: David’s own Tranny’s, Sprague Electrolytics, Mallory 150s, Carbon comp resistors, etc.
http://www.allenamps.com/oldflame.html
So, based on this, I would highly recommend any of David’s “Supported” kits for first time builders. After you make the first one, you are now an “experienced builder” (you can look at virtually any kit on the web and feel confident that you can put it together and get it to work).
I hope that this represents my experience with David’s amps and provides enough info. for anyone that is interested in his kits.
Comment