So any thoughts as to whether this would be correct for a Fixed Bias version? If so, I'm probably going to build it on another chassis instead of trying to figure out how to switch between the two in the same one.
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Vol/Tone in a 5C5?
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If you hunt around on the Weber forum, I think you'll find that some builders have a hum problem with that layout. There may be a fix, but the layout was never updated.
Look at this thread starting about post #30. Link: http://music-electronics-forum.com/t14986/ There is some suggested fixes but no resolution to the problem.WARNING! Musical Instrument amplifiers contain lethal voltages and can retain them even when unplugged. Refer service to qualified personnel.
REMEMBER: Everybody knows that smokin' ain't allowed in school !
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Originally posted by loudthud View PostIf you hunt around on the Weber forum, I think you'll find that some builders have a hum problem with that layout. There may be a fix, but the layout was never updated.
Look at this thread starting about post #30. Link: http://music-electronics-forum.com/t14986/ There is some suggested fixes but no resolution to the problem.
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Originally posted by Dave H View PostThe pictures in that other thread show the wire from the bias pot wiper to the power tube grid resistors passing very close and in parallel to the wire joining the two 16u filter caps. There will be high ripple current pulses in that wire and the wire from the bias pot is high impedance (no cap to ground) so the hum could be getting in that way. I’d move the bias pot wiper wire away from the 16u filter cap -ve area and add a cap from the power tube grid resistors to the PI ground (between junction of 250k, 6k8 and junction of 2k5, 25u). I’d also connect the PT CT wire directly to the 16u caps and not to the ground plate.Last edited by RC99; 06-23-2013, 08:00 PM.
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Originally posted by RC99 View PostHere's what I had in mind.....could anyone comment on which adjustable bias arrangement would work better? Thanks.
(click to enlarge)
v.1
[ATTACH=CONFIG]24096[/ATTACH]
v.2
[ATTACH=CONFIG]24097[/ATTACH]
Originally posted by Bruce / Mission Amps View PostCorrect again!
Glad someone is watching.
I use an additional reverse polarity, 22uF@100v cap right at the junction of the low value resistor... good call!
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Neither are completely right.
http://music-electronics-forum.com/a...5c5p_v-1a2.jpg
is better but you need at least a, positive grounded, 47uF-100v bias filter cap right after your bias supply diode too.
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Originally posted by RC99 View PostAlso...the Weber layouts on the 5E3P and 5C3P seemingly show the first and middle lugs on the bias pot joined. Is this correct? Other examples with adjustable biases like on the Ceriatone tweeds don't have it.WARNING! Musical Instrument amplifiers contain lethal voltages and can retain them even when unplugged. Refer service to qualified personnel.
REMEMBER: Everybody knows that smokin' ain't allowed in school !
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Originally posted by loudthud View PostA common failure mode for a pot is for the center terminal to become an open circuit. If the bias adjust pot is connected like a voltage divider, this means the bias will be lost and the output tubes will red plate. If arranged correctly, the bias pot is connected like a rheostat in such a way that if the center terminal becomes open, the bias increases thus saving the tubes.
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That will work.WARNING! Musical Instrument amplifiers contain lethal voltages and can retain them even when unplugged. Refer service to qualified personnel.
REMEMBER: Everybody knows that smokin' ain't allowed in school !
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