Please help me understand what causes very bad low ghost notes (intermodulation distortion?) when playing certain intervals (double stops) through my old Gibson amp and how I might solve this problem.
Someone posted about this exact problem in the vintage amps forum (with regard to his Ampeg Reverbrocket) and got almost no replies and none that seemed to address the problem with any precision. His description of the problem made it seem like the same phenomenon anyway.
My 1960 Gibson GA-18T gets very prominent low frequency ghost notes (notes not being played) when playing intervals high up on the neck, especially when playing major thirds on the B and G strings above the 8th fret. They are hideously bad but they are almost non-existent lower on the neck. If you pluck hard with a country-claw, pick-and-fingers approach, it makes the problem worse.
I am currently using a Weber made speaker that is a P10Q replica (Tungsten Amps). The problem is MUCH less prominent when I use a very efficient speaker in this amp. I was using an Eminence Ramrod speaker and the annoying low subharmonic problem almost disappeared, but the amp was way too loud and I prefer the vintage Jensen type sound in this amp.
Is this intermodulation distortion?
I have had the power supply filtering beefed up and I've experimented with different coupling cap values. Neither solved the problem.
This amp has a tiny output transformer. It's about the size of a Superbowl ring, maybe smaller. Could that be a factor? This is a very peculiar problem.
I think all amps have this problem to some degree, but it's really bad in this amp and I'd love to know why. I love the amp but this problem almost ruins it for me.
Someone posted about this exact problem in the vintage amps forum (with regard to his Ampeg Reverbrocket) and got almost no replies and none that seemed to address the problem with any precision. His description of the problem made it seem like the same phenomenon anyway.
My 1960 Gibson GA-18T gets very prominent low frequency ghost notes (notes not being played) when playing intervals high up on the neck, especially when playing major thirds on the B and G strings above the 8th fret. They are hideously bad but they are almost non-existent lower on the neck. If you pluck hard with a country-claw, pick-and-fingers approach, it makes the problem worse.
I am currently using a Weber made speaker that is a P10Q replica (Tungsten Amps). The problem is MUCH less prominent when I use a very efficient speaker in this amp. I was using an Eminence Ramrod speaker and the annoying low subharmonic problem almost disappeared, but the amp was way too loud and I prefer the vintage Jensen type sound in this amp.
Is this intermodulation distortion?
I have had the power supply filtering beefed up and I've experimented with different coupling cap values. Neither solved the problem.
This amp has a tiny output transformer. It's about the size of a Superbowl ring, maybe smaller. Could that be a factor? This is a very peculiar problem.
I think all amps have this problem to some degree, but it's really bad in this amp and I'd love to know why. I love the amp but this problem almost ruins it for me.
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