I've been working a bit at a time on a 1953 Multivox Premier 120, and I've noticed that, with the "Instrument" channel turned up high, the tremolo circuit tends to pump the speaker back and forth a lot, whether tremolo is turned on or not.
Are there any general approaches to tweaking tremolo circuits that help reduce the amount of LFO that gets into the audio?
The power supply decoupling capacitors in this amp are minimal with only 0.1uF used in conjunction with the tremolo circuit. I was thinking that perhaps a larger electrolytic might help isolate the LFO, but I'll confess that I'm not sure I fully understand all the aspects of the tremolo circuit in this amp.
Are there any general approaches to tweaking tremolo circuits that help reduce the amount of LFO that gets into the audio?
The power supply decoupling capacitors in this amp are minimal with only 0.1uF used in conjunction with the tremolo circuit. I was thinking that perhaps a larger electrolytic might help isolate the LFO, but I'll confess that I'm not sure I fully understand all the aspects of the tremolo circuit in this amp.
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