Howdy folks, Lately I have been working my way through a well used Super Echo Twin and I just wanted to share my experiences, as these are fairly rare and there isn't a ton of info out there on them. It's a beast of an amp for a novice/intermediate such as myself. This is the version with solid state rectification and 7591 tubes. Here is audio and some images of the amp in question.
Ampeg Super Echo Twin - YouTube
My general impression of the way the amp works is that it is somewhat more complicated that the usual explanation of "two reverberockets in box." There is a lot of inter- connectivity in the different channels that this doesn't quite explain. After staring at this thing all weekend I am just beginning to wrap my head around it... sort of.
Here is one of the schematics I have been looking at:
Prowess Amplifiers - Ampeg - Schematics - ET2b Superechotwn
I have also been looking at the schematic that is on the back side of the back panel. There are small differences, primarily in the tremolo circuit. The one in the amp matches my amp better in that regard. The one in the amp also has voltages listed. I haven't found a good example of this one online, and will post a pic later.
I have been through the amp and replaced the two big cap cans (JJ 40/20/20/20 cans work out very well). I also replaced all the bypass caps and checked all the coupling caps for leakage (none found in the green caps, the .005 in reverb circuit was quite leaky). In general all the voltages seem to be about right.
I have everything up and running about how I think it should, except for the tremolo. I have spent days messing with the tremolo, trying to get it to work right. Basically, when the speed and depth are turned all the way down I still get a tremolo type effect, but it has weird funky rhythms. As I turn up the volume and depth it starts to behave about like it should, but starts to thump like crazy in time with the tremolo. When looking at voltages I can seen pulsating from the tremolo way back at the first gain stage, which doesn't seem right. The things that I have done that seem to help are changing the resistor at the cathode of the power tubes. Increasing this seems to help reign in the tremolo. The thing that seems to help the most is by increasing the capacitance at the cathode of the phase inverter V4. Swapping out the 100uf cap with a 220uf seems to get the tremolo to about where it is supposed to be. My gut tells me that if the amp was working like it should, it would work correctly with a 100uf cap.
If you are still paying attention, here are some discrepancies I have found between the amp and the schematics I have been looking at:
The schematic on the back panel of the amp lists the voltage dropped at the cathode of the power tubes as 23v (or 25v hard to read). For the life of me, I can't figure how this can be correct. I am getting 360 at the plates which is the correct voltage as listed. I am getting about 14 or so volts dropped at the cathode. If I want to get 23v I had to change the resistor from stock 140 to about 300, which pushes the plate voltage up higher than the 360 specified. My guess is that 15v is about right and the schematic was drawn for the 6V6 version and didn't get changed. I have seen other ampeg schematics (a reverberocket, I think) that show 15v at this location with 7591s and 140 ohm cathode resistor.
Also, my schematic shows 170 volts at the plate of both V5b and V6b. I get 190 volts at v5b and about 170 at v6b. The plate resistors are also swapped on my actual amp. I have a 120k at v5b and a 270k plate resistor at v6b, this is the opposite of all the schematics I have seen. The different voltages seem to be in line with the difference resistor values, so it seems like the voltages of 170 and 190 are actual about what they should be. I also have an original .1 coupling cap at the plate of v6b, compared to the .05 at the schematic.
Another difference is in the tone stack. The tone basically worked as another volume control when I first got it. It was also a very dark amp. Now, I have heard these are dark, or warm amps, but this seemed excessive. I discovered that instead of the .002uf cap at the tone control I actually had a .1uf cap. It was an old wima, and as far as I could tell, original. I swapped it out with a .002 and this seemed to fix the tone control and brighten the amp considerably.
Anyway, that's about it for now. Kind of a beast. I will post anything else I can think of.
Ampeg Super Echo Twin - YouTube
My general impression of the way the amp works is that it is somewhat more complicated that the usual explanation of "two reverberockets in box." There is a lot of inter- connectivity in the different channels that this doesn't quite explain. After staring at this thing all weekend I am just beginning to wrap my head around it... sort of.
Here is one of the schematics I have been looking at:
Prowess Amplifiers - Ampeg - Schematics - ET2b Superechotwn
I have also been looking at the schematic that is on the back side of the back panel. There are small differences, primarily in the tremolo circuit. The one in the amp matches my amp better in that regard. The one in the amp also has voltages listed. I haven't found a good example of this one online, and will post a pic later.
I have been through the amp and replaced the two big cap cans (JJ 40/20/20/20 cans work out very well). I also replaced all the bypass caps and checked all the coupling caps for leakage (none found in the green caps, the .005 in reverb circuit was quite leaky). In general all the voltages seem to be about right.
I have everything up and running about how I think it should, except for the tremolo. I have spent days messing with the tremolo, trying to get it to work right. Basically, when the speed and depth are turned all the way down I still get a tremolo type effect, but it has weird funky rhythms. As I turn up the volume and depth it starts to behave about like it should, but starts to thump like crazy in time with the tremolo. When looking at voltages I can seen pulsating from the tremolo way back at the first gain stage, which doesn't seem right. The things that I have done that seem to help are changing the resistor at the cathode of the power tubes. Increasing this seems to help reign in the tremolo. The thing that seems to help the most is by increasing the capacitance at the cathode of the phase inverter V4. Swapping out the 100uf cap with a 220uf seems to get the tremolo to about where it is supposed to be. My gut tells me that if the amp was working like it should, it would work correctly with a 100uf cap.
If you are still paying attention, here are some discrepancies I have found between the amp and the schematics I have been looking at:
The schematic on the back panel of the amp lists the voltage dropped at the cathode of the power tubes as 23v (or 25v hard to read). For the life of me, I can't figure how this can be correct. I am getting 360 at the plates which is the correct voltage as listed. I am getting about 14 or so volts dropped at the cathode. If I want to get 23v I had to change the resistor from stock 140 to about 300, which pushes the plate voltage up higher than the 360 specified. My guess is that 15v is about right and the schematic was drawn for the 6V6 version and didn't get changed. I have seen other ampeg schematics (a reverberocket, I think) that show 15v at this location with 7591s and 140 ohm cathode resistor.
Also, my schematic shows 170 volts at the plate of both V5b and V6b. I get 190 volts at v5b and about 170 at v6b. The plate resistors are also swapped on my actual amp. I have a 120k at v5b and a 270k plate resistor at v6b, this is the opposite of all the schematics I have seen. The different voltages seem to be in line with the difference resistor values, so it seems like the voltages of 170 and 190 are actual about what they should be. I also have an original .1 coupling cap at the plate of v6b, compared to the .05 at the schematic.
Another difference is in the tone stack. The tone basically worked as another volume control when I first got it. It was also a very dark amp. Now, I have heard these are dark, or warm amps, but this seemed excessive. I discovered that instead of the .002uf cap at the tone control I actually had a .1uf cap. It was an old wima, and as far as I could tell, original. I swapped it out with a .002 and this seemed to fix the tone control and brighten the amp considerably.
Anyway, that's about it for now. Kind of a beast. I will post anything else I can think of.
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