I've played plenty of Ashdowns+Sub with guitar and found it to work fine on single notes - like any other sub-octave generator. In this case though the effect only works on the lower notes due to the LPF and gets trashy on chords.
When troubleshooting the sub circuit I always use a variable sine wave to see what's happening. Scope the input and output and sweep the frequency to make sure the sub output tracks the input. There are at least two different circuits that Ashdown uses - the earlier ones are on a separate sub board and different topology, but either way the sub output is a real speaker killer when the amp is cranked.
When troubleshooting the sub circuit I always use a variable sine wave to see what's happening. Scope the input and output and sweep the frequency to make sure the sub output tracks the input. There are at least two different circuits that Ashdown uses - the earlier ones are on a separate sub board and different topology, but either way the sub output is a real speaker killer when the amp is cranked.
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