About 30 years ago I found myself in a recording session, playing through a blonde Tremolux. The sound was just superb, better than anything I'd used previously.
Fast forward about 15 years, and I found a similar unit for sale, bought it, and carried it off, only to be seriously disappointed. It just lacked tone!
Since then I've periodically replaced bits, trying to regain what I heard all those years ago.
The retro-fitted Fane 12"'s have been swapped for a sucession of 12" and 10" speakers - currently I have a couple of Celestion 10"s in there.
I replaced the mains transformer and silicon rectifier, reverting to a GZ34.
All the major caps have been replaced. It's been revalved throughout
The amp is still desperately quiet, subjectively about 15 watts, compared to a Peavey Classic 30, Musicman 65 etc. (how come both the Tremolux and Musicman have 2 x 6L6's yet one is rated at 65 watt, the other 30 watt?).
The Tremolux tone remains thin - no middle, no sparkle.
Short of replacing the Tolex, I'm at a loss what else to do.
Any suggestions please?
Fast forward about 15 years, and I found a similar unit for sale, bought it, and carried it off, only to be seriously disappointed. It just lacked tone!
Since then I've periodically replaced bits, trying to regain what I heard all those years ago.
The retro-fitted Fane 12"'s have been swapped for a sucession of 12" and 10" speakers - currently I have a couple of Celestion 10"s in there.
I replaced the mains transformer and silicon rectifier, reverting to a GZ34.
All the major caps have been replaced. It's been revalved throughout
The amp is still desperately quiet, subjectively about 15 watts, compared to a Peavey Classic 30, Musicman 65 etc. (how come both the Tremolux and Musicman have 2 x 6L6's yet one is rated at 65 watt, the other 30 watt?).
The Tremolux tone remains thin - no middle, no sparkle.
Short of replacing the Tolex, I'm at a loss what else to do.
Any suggestions please?
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