A Chicago blues harp guy brings me a 1964 Gibson Scout 1x10 combo that he complained has no bass response. Indeed, it did sound too bright with my Strat shop guitar. Someone had already replaced a bunch of caps with orange drops, probably an attempt at fixing the issue. I have heard Gibson voiced their amps for their humbucker guitars, as did Fender for their single coils, but this was unusable with a Fender or a harp mic. I found a video (Guitarologist) with the exact same amp with the exact same complaint. He pointed out what he refers to as the Sprague Tone Suck Network, which is a three legged module consisting of C3, C4 and R6 and R7. He says whenever he sees those in like era Gibsons, he always removes them. He also pointed out that the .001uF C2 just before it is way to small, so he replaced all of that with one .047uF cap. He then changed the .1uF cathode cap on V2b to a more reasonable 10uF.
I followed his lead and did the same, and sure enough the amp now is louder, breaks up nicely, and has more bottom end. I think my blues playing customer will be happy. Gotta wonder what was Gibson thinking with these values and that Sprague module? There is a significant improvement overall in this amp making those three simple changes. The reverb is thicker and stronger now as well, it was pretty lackluster before.
http://www.ampwares.com/schematics/gibson/ga17rvt.pdf
I followed his lead and did the same, and sure enough the amp now is louder, breaks up nicely, and has more bottom end. I think my blues playing customer will be happy. Gotta wonder what was Gibson thinking with these values and that Sprague module? There is a significant improvement overall in this amp making those three simple changes. The reverb is thicker and stronger now as well, it was pretty lackluster before.
http://www.ampwares.com/schematics/gibson/ga17rvt.pdf
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