Agree, but still possibly the cause of the issue.
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Originally posted by Helmholtz View PostYes, lifting the 0.01 cap will increase treble response.
Agree with Mick that the EF86 is still suspect even though it's reported to be good. Like Enzo said, a tube tester can tell you if a tube is bad but not always that it's good."Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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I'm wondering why there's a 220p cap from plate to HT (I've seen that before, not so much of a puzzle) AND the .01u from plate to ground. Kinda makes the plate resistor bypass cap insignificant, dunnit? Can the .01u cap be verified as true to the original design?If it still won't get loud enough, it's probably broken. - Steve Conner
If the thing works, stop fixing it. - Enzo
We need more chaos in music, in art... I'm here to make it. - Justin Thomas
MANY things in human experience can be easily differentiated, yet *impossible* to express as a measurement. - Juan Fahey
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Thanks for the input. Here's an update. But first, your questions answered.
No I haven't tested the cartridge. Next time I go over there I'll take a little amp to try it. And a meter to check DCR. But the rolloff happens with the sig gen input just the same.
I'm pretty sure it is magnetic as there is so much gain in this amp. There's not much info on the Chantal Meteor but it is aming high quality wise and so a magnetic cartridge wouldn't be unexpected. But yeah the fault seems independent of the cartridge.
No there is no way of being totally sure of what the original circuit was, as quite a few new components have been fitted over time, but the basic config is pretty clear. I've tried it with and without the input cap, and with and without the plate resistor bypass cap, and with different values for the screen bypass cap, with no effect on this marked slope-wise reduction of treble. In fact I took all the first stage components off the ef86 and rewired the stage with the first stage AC15 circuit, as I'm more familiar with how that behaves and this seems similar to it in that it is a very high gain ef86 circuit. Again, no change to the rolloff.
OK I think that's all the suggestions answered. If I find more later I'll answer them too.
Right, now to the current sitch. As I wrote the issue is observable directly on the input, and this slope-off of treble occurs in a similar way all the way through the amp. But it disappears from the input and goes back to a fully linear response when I pull the ef86 out, scope probe still connected to the input, the other side of the input cap from the grid. I've tried several ef86, all Mullards, and even a Telefunken ef806s (yes, from my pension fund valve collection). No difference. I've tried lifting everything up from the input socket, in case there was some internal capacitance. Nope, no change.
Here's an oddity. With the valve out, the now-linear amplitude of the signal on the input is like that at the top of the treble range with the valve in, ie about 20% of the bass signal. The effect of the valve being plugged in is thus not so much to roll off the treble as to amplify the bass! This suggests some kind of positive feedback. Well I'm none the wiser as to the cause of that.
I would have decided that I am looking at testing artefacts somehow if it wasn't for the very clear treble rolloff (or bass boost, as it appears) effect on the input. Your input is welcomed!Last edited by Alex R; 04-18-2024, 01:23 PM.
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Bass boost/treble cut is a feature of an RIAA equalised amplifier in order to recover the bass which is intentionally lost during the recording process. When the vinyl master is cut, the cutter head excursion on bass notes could cause the groove walls to collapse so an eq curve is applied to de-emphasise the bass. Also the treble is boosted. The playback stylus has a much easier time in reproducing the resulting track.
The playback amp should have the inverted curve. The way to thoroughly test the amp is to run your signal generator through an RIAA filter. Most of the filter designs are for playback - you need one to generate the origination curve. In theory this should then scope out to a level response.
https://www.lathetrolls.com/viewtopic.php?t=5848Last edited by Mick Bailey; 04-18-2024, 02:58 PM.
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As long as we don't know if the cartridge (and its stylus) is good, we can't be sure there's an amp fault.
Maybe test with an external turntable.
My other question was if you disconnected the cartridge when testing with the signal generator.
With the valve out, the now-linear amplitude of the signal on the input is like that at the top of the treble range with the valve in, ie about 20% of the bass signal. The effect of the valve being plugged in is thus not so much to roll off the treble as to amplify the bass! This suggests some kind of positive feedback.
Are you scoping before or after the 68k ?
Anyway, I'm sure something is missing from your schematic, like some additional component(s) connecting to the input grid or before.- Own Opinions Only -
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Originally posted by Alex R View PostHere's an oddity. With the valve out, the now-linear amplitude of the signal on the input is like that at the top of the treble range with the valve in, ie about 20% of the bass signal.
Originally posted by EnzoI have a sign in my shop that says, "Never think up reasons not to check something."
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