I just listened to one of the YouTube clips you posted. To me that sounds a lot like a SLO/Dual Rectifier type amp rather than this one. It's a big thick sound but a little mushy. The schematic you have should produce something with a little more tightness, definition and upper harmonics. I actually modded a friends 1970's twin reverb to have almost this exact circuit about 10 years ago, right down to the sweep control on the tone stack (I preferred a more Fender-like tone stack though). The thing is a gain monster, but not anything like the clip I listened to. It has very fluid, singing distortion, not really what I would call crunchy (like the SYLOSIS clip). On that amp I had all 100k plate resistors and the cathodes, in order, were 1.5K, 2.2k, 3.3k, 3.3k (?). Not sure about the last one. I think I may have used a 1.5K there as well (maybe even bypassed) to help lower the output impedance of the tube so that it would work better with the tone controls. The first cathode was permanently bypasses and I had a "boost" switch through a relay switching in bypass caps for the 2nd & 3rd stages. Since the layout was not optimal, I had to use a good number of small pF caps all around the 2nd, 3rd & 4th stages to kill parasitics.
If you want a more crunchy sound out of this thing then you might want to get rid of some of the high end. Get rid of the 470pF bypass cap between stages 2 & 3. Try different values of caps around the 2nd & 3rd stage to reduce some of the upper distortion harmonics. To me, they tend to add a "fluidness" to the sound (that I like) but they really take away from the fundamental "grunt". You could bypass the plate resistor, put a cap form plate to cathode, grid to cathode, grid to ground, plate to ground, plate to grid, even plate to plate. Try anything for 100pF up to about .0047 uF. It's really a "season to taste" kind of mod. I would suggest using multiple small caps rather than just one or two larger caps.
If you want a more crunchy sound out of this thing then you might want to get rid of some of the high end. Get rid of the 470pF bypass cap between stages 2 & 3. Try different values of caps around the 2nd & 3rd stage to reduce some of the upper distortion harmonics. To me, they tend to add a "fluidness" to the sound (that I like) but they really take away from the fundamental "grunt". You could bypass the plate resistor, put a cap form plate to cathode, grid to cathode, grid to ground, plate to ground, plate to grid, even plate to plate. Try anything for 100pF up to about .0047 uF. It's really a "season to taste" kind of mod. I would suggest using multiple small caps rather than just one or two larger caps.
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