Here's a tone stack that IMO works pretty well, from a Crate GFX15 of all things - I added a high-impedance version on the right:
In the first half of its rotation, the mid control exhibits a narrowband mid-mid boost instead of the usual everything-but-bass-and-treble deal. The bass control's action is pretty similar to most Fender blackface stacks, and the treble control has a reduced apparent boost, with most of the increase occurring above the range of 12" guitar speakers. My take is that the small treble cap value brings the treble control's range above that of the mid control, allowing it to 'do its thing' without dilution or excessive interaction.
Nothing stunning or revolutionary, just a useful variation on an old theme.
Ray
In the first half of its rotation, the mid control exhibits a narrowband mid-mid boost instead of the usual everything-but-bass-and-treble deal. The bass control's action is pretty similar to most Fender blackface stacks, and the treble control has a reduced apparent boost, with most of the increase occurring above the range of 12" guitar speakers. My take is that the small treble cap value brings the treble control's range above that of the mid control, allowing it to 'do its thing' without dilution or excessive interaction.
Nothing stunning or revolutionary, just a useful variation on an old theme.
Ray
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