Well now that you have an acceptable effects loop design for both function and tone, I'd handle it like this...
When you have time and have regained patience for such tedium (I get a little funny after a long stint of tricky soldering) you could:
Rip the whole thing out! Yep. That's what I said. Rip it out and return the amp to stock. Build the effects loop circuit anew on a separate rectangle of perf board so it can be connected with short leads. this gives you a lot more time for planning layout and will make servicing easier in the future. Locate the new board in the best place for amplifier stability. If you have to add spacers and just zip tie it on top of the existing board that's fine. Just so there aren't any long leads in sensitive locations. You know what that means by now and you'll do fine.
When it's done you'll be grumpy and proud all at once. A weird sensation
EDIT: P.S. I think the reason the amp is sounding "better then it did at any point" is most likely because it sounds just like it did before any loop experimentation. You loved it then, so you love it now. Aside from any tonal anomalies from additional lead wire routing, that loop should be almost invisible tonally. That was the goal. This isn't an issue for amps that are designed with a loop from the start because the loop is part of the tone during the entire voicing process. So your case was specific in that regard.
Also, the send level being right at the top of low level and right at the bottom of high level isn't a problem, but it's not ideal. It should be one or the other. No matter. I don't think you'll have any trouble with anything you plug into it. Sooo...
With a signal at the input and without changing any control setting, compare the signal voltage at the treble wiper to the input lug of the master volume. Hopefully it's pretty close. That's what you want.
When you have time and have regained patience for such tedium (I get a little funny after a long stint of tricky soldering) you could:
Rip the whole thing out! Yep. That's what I said. Rip it out and return the amp to stock. Build the effects loop circuit anew on a separate rectangle of perf board so it can be connected with short leads. this gives you a lot more time for planning layout and will make servicing easier in the future. Locate the new board in the best place for amplifier stability. If you have to add spacers and just zip tie it on top of the existing board that's fine. Just so there aren't any long leads in sensitive locations. You know what that means by now and you'll do fine.
When it's done you'll be grumpy and proud all at once. A weird sensation
EDIT: P.S. I think the reason the amp is sounding "better then it did at any point" is most likely because it sounds just like it did before any loop experimentation. You loved it then, so you love it now. Aside from any tonal anomalies from additional lead wire routing, that loop should be almost invisible tonally. That was the goal. This isn't an issue for amps that are designed with a loop from the start because the loop is part of the tone during the entire voicing process. So your case was specific in that regard.
Also, the send level being right at the top of low level and right at the bottom of high level isn't a problem, but it's not ideal. It should be one or the other. No matter. I don't think you'll have any trouble with anything you plug into it. Sooo...
With a signal at the input and without changing any control setting, compare the signal voltage at the treble wiper to the input lug of the master volume. Hopefully it's pretty close. That's what you want.
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