Hi Guys;
I am messing with another design (not the one of my recent thread) and looking at the phase relation of the reverb signal to the dry. Like a lot of us, I cut my teeth on Fenders where the number of times the dry signal changes phases (net plus or minus) is matched on the wet side.
On Ampegs it doesn't. I've also got a couple '59-type schematics where the exit point is at the cathode follower and the reverb is reinserted at the bottom of the phase inverter. The reverb circuit is the same but the amp adds a switchable gain stage on the dry side. A circuit I really like is the tweed reverb on JC Maillet's page which seems to add an unnecessary triode to get the + - count back to square.
Bottom line, once the signal has been squiggled in the tank, does it matter what the original phasing was?
Thanks again, Skip
I am messing with another design (not the one of my recent thread) and looking at the phase relation of the reverb signal to the dry. Like a lot of us, I cut my teeth on Fenders where the number of times the dry signal changes phases (net plus or minus) is matched on the wet side.
On Ampegs it doesn't. I've also got a couple '59-type schematics where the exit point is at the cathode follower and the reverb is reinserted at the bottom of the phase inverter. The reverb circuit is the same but the amp adds a switchable gain stage on the dry side. A circuit I really like is the tweed reverb on JC Maillet's page which seems to add an unnecessary triode to get the + - count back to square.
Bottom line, once the signal has been squiggled in the tank, does it matter what the original phasing was?
Thanks again, Skip
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