I'd like to resurrect a thread that wasn't really solved, mainly because I am planning a build that is virtually the same and I'd like to understand the theory involved.
http://music-electronics-forum.com/s...ead.php?t=9235
The concept is replacing the normal channel of a Blackface style amp with a 5F6A/Plexi channel and mixing them prior to the PI. Hasserl came up with a work-around for his application, but was unable to find a solution to the original problem.
I'm not modding a Bassman, but starting from scratch. My design uses a 5F6A/Plexi channel, a Blackface channel with reverb but no trem, and a 5F6A style PI and Power section. Like this:
It seems that Hasserl's design may have had loading issues with the TS directly feeding the mixing resistors resulting in loss of gain.
From another forum:
and from R. Kuehnel:
Normally, the 5F6A/Plexi TS directly feeds the PI which has a high impedance input. Would adding a MV 1M-A pot between the TS and the mixing resisitor 'unload' the TS? Example:
http://www.lungcookierecords.com/ran..._Schematic.pdf
I thought about adding a blocking cap between the TS and the mixing resistor, but there's no DC to block, just AC signal. It seemed to work for Chocopower though:
http://www.thegearpage.net/board/sho...07&postcount=9
Another thought was to mix the channels just prior to the reverb recovery. The added benefit of that is the signals would be in phase enabling bridging of the channels if desired.
This type of design seems very popular. Any thoughts or ideas would be greatly appreciated.
http://music-electronics-forum.com/s...ead.php?t=9235
The concept is replacing the normal channel of a Blackface style amp with a 5F6A/Plexi channel and mixing them prior to the PI. Hasserl came up with a work-around for his application, but was unable to find a solution to the original problem.
I'm not modding a Bassman, but starting from scratch. My design uses a 5F6A/Plexi channel, a Blackface channel with reverb but no trem, and a 5F6A style PI and Power section. Like this:
It seems that Hasserl's design may have had loading issues with the TS directly feeding the mixing resistors resulting in loss of gain.
From another forum:
Typical tone control circuits like to see a fairly high impedance at the input of the following stage.
The tone stack is driven by a 12AX7 cathode follower circuit with a very low output impedance capable of providing a source voltage that isn't easily dragged down by a varying load. It drives a long-tailed-pair phase inverter with a very high input impedance. These two factors, a low impedance source and a high-impedance load, make the tone stack's frequency response relatively independent of the preceding and following stages.
http://www.lungcookierecords.com/ran..._Schematic.pdf
I thought about adding a blocking cap between the TS and the mixing resistor, but there's no DC to block, just AC signal. It seemed to work for Chocopower though:
http://www.thegearpage.net/board/sho...07&postcount=9
Another thought was to mix the channels just prior to the reverb recovery. The added benefit of that is the signals would be in phase enabling bridging of the channels if desired.
This type of design seems very popular. Any thoughts or ideas would be greatly appreciated.
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