The attached schematic is my first attempt at combining several different circuits and ideas. I bought the transformers for an AX84 "SEL" over a year ago and then got involved in another project. Now I don't feel like building that amp, so this is an attempt at a single-ended "November" (another AX84 project) using one EL-34 The basic concept is a Plexi-type preamp with the two channels internally jumpered. November documentation.
Having a tone stack & master volume right before a single-ended power tube seems like it leaves out the PI stage of a Plexi (and other classic push-pull amps). That's the reason for the MOSFET cathode follower - to use two 12AX7s and still have a gain stage after the tone stack. However, I have no idea whether or not the last preamp stage is biased properly to simulate a PI. Several circuits use a really big, unbypassed cathode resistor on one gain stage to add something to the tone. Also, I may have too much signal hitting the EL-34 and a voltage divider (or tweak to the MV) might be needed.
The thing I'm most uncertain about is the MOSFET cathode follower. The part # came from R. G. Keen's "MOSFET" follies. I'm guessing that the B+ will be about 350 at that power supply node. Is that part OK here? Also, Merlin (aka Valve Wizard) recommends a resistor/diode between the grid & cathode of a tube/valve CF. Any point to carrying that concept over to a MOSFET cathode follower? (not shown here) Last but not least, is the 100K load resistor appropriate?
The 220 ohm resistor between the plate of V2a and the gate is supposed to be a "gate stopper". Is it wired right, is that the right value, and do I need it? I saw several references to a "gate stopper" here and elsewhere, but never saw an actual schematic which included one.
The "Mix" control and single "Gain" replace two separate volumes, one for "Bright" and the other for "Dark". The Mix & Gain are going to be interdependent - higher Gain reduces the effect of the Mix control. Also, there's a 20% loss when the Mix is in the middle and the Gain is maxed out vs. separate volumes (or having Mix at one end or the other). This idea came from Doug Hoffman's "Mix" control in his setup for adding reverb to the "Western Electric Circuit". What do you all think? The good news is that I can always revert to two separate volumes if this approach doesn't work out well.
This build is going to require a LOT of tweaking along the way. I'm just trying to avoid basic bozo blunders at this point.
I'd really appreciate any comments, suggestions +/or improvements.
Thanks in advance for your thoughts,
Chip
Having a tone stack & master volume right before a single-ended power tube seems like it leaves out the PI stage of a Plexi (and other classic push-pull amps). That's the reason for the MOSFET cathode follower - to use two 12AX7s and still have a gain stage after the tone stack. However, I have no idea whether or not the last preamp stage is biased properly to simulate a PI. Several circuits use a really big, unbypassed cathode resistor on one gain stage to add something to the tone. Also, I may have too much signal hitting the EL-34 and a voltage divider (or tweak to the MV) might be needed.
The thing I'm most uncertain about is the MOSFET cathode follower. The part # came from R. G. Keen's "MOSFET" follies. I'm guessing that the B+ will be about 350 at that power supply node. Is that part OK here? Also, Merlin (aka Valve Wizard) recommends a resistor/diode between the grid & cathode of a tube/valve CF. Any point to carrying that concept over to a MOSFET cathode follower? (not shown here) Last but not least, is the 100K load resistor appropriate?
The 220 ohm resistor between the plate of V2a and the gate is supposed to be a "gate stopper". Is it wired right, is that the right value, and do I need it? I saw several references to a "gate stopper" here and elsewhere, but never saw an actual schematic which included one.
The "Mix" control and single "Gain" replace two separate volumes, one for "Bright" and the other for "Dark". The Mix & Gain are going to be interdependent - higher Gain reduces the effect of the Mix control. Also, there's a 20% loss when the Mix is in the middle and the Gain is maxed out vs. separate volumes (or having Mix at one end or the other). This idea came from Doug Hoffman's "Mix" control in his setup for adding reverb to the "Western Electric Circuit". What do you all think? The good news is that I can always revert to two separate volumes if this approach doesn't work out well.
This build is going to require a LOT of tweaking along the way. I'm just trying to avoid basic bozo blunders at this point.
I'd really appreciate any comments, suggestions +/or improvements.
Thanks in advance for your thoughts,
Chip
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