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  • Selmer amp recreation

    I'll try to keep this as short as possible. A year or so back I picked up an old Selmer Treble and Bass 50 MKIII head. It was something of a basket case but with the help of many here I got it all sorted out and it sounds beautiful. I had to completely toss all of the internals. Completely renovated the board, rewired to MKII circuit but retaining the diodes for rectification. All new pots. So really, all that is original are the transformers, the board itself (just the board, not the components) and the choke.

    Fast forward to now, I wanted to make a copy. Got the transformers and choke from Mercury as they're the only co. out there (of whom I'm aware...) who make copies. I used the same pots and jacks as the original renovation, same components etc. Basically, everything is the same except for the transformers and I've actually shortened some of the lead dress over the original (those were pretty badly laid-out). I'm using the same preamp and power tubes in both amps. I amp a/b comparing them through the same cab/speakers with the same guitar/cord. Even the same wall socket.

    SO WHY DOESN"T IT SOUND THE SAME?

    It's got the same basic sound, don't get me wrong. It sounds like a Selmer. The power transformer is putting out 1 volt less B+ as compared to the original, so all of the voltages within the amp are the same and I've got them both biased the same. I've double-checked all cap and resistor values. The main differences between the two, to my ear, are: (1) The new amp is darker: the original has a high end chime like ringing bells, very sparkling, very Vox-y, while the new amp is lacking this. (2) The new amp has more gain and/or crunch on tap; when I crank up the treble channel to 10, with the same tone control and volume settings on both amps, the new amp sounds like a Marshall and it is noticeably dirtier than the old amp. To get the same level of dirt out of the old amp, I need to jump the channels.

    The only difference I must own up to is the choke: Mercury does not make a specific choke replacement, however I did measure the old one about a year ago at 9.xxx henries. However, I forget the DC resistance. I got a 10H choke from Mercury which looks close, although the old one is a little (just a little) bigger. Mostly it's the coil that's a bit larger. I don't think this would really make such a noticeable difference, though, would it?

    I think the culprit here is the output transformer. Mercury's copy looks pretty identical. I can't tell you what transformer exactly is on my old amp, as it's filthy and there is no mark or sticker anywhere on it. All I know is that it's whatever Selmer happened to be using that month. Again, at the least the two look basically identical. So, can the OT alone *really* make that much of a difference? I've replaced toasted OTs on old amps before with modern replacements, and never really noticed such a dramatic difference.

    Any thoughts appreciated.

  • #2
    Well, why don't you swap the OTs and get back to us.

    Also check you don't have the secondary taps mixed up on the new OT. That can make a major difference in tone, if you drive the speaker off the wrong tap or connect the NFB to the wrong tap.

    I didn't realise Selmer were getting that trendy. I picked up a complete T'n'B 50 SV years ago for less than the cost of one Mercury Magnetics transformer.
    "Enzo, I see that you replied parasitic oscillations. Is that a hypothesis? Or is that your amazing metal band I should check out?"

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    • #3
      I can always count on you Steve! Swapping transformers = good idea, but what if I'm lazy? hahahahahaha As far as the secondaries go, these transformers only have two taps, 8 and 16, and they're wired right to a respective jack. NFB on both amps is exactly the same also.

      Trendy? Not sure. I like them a LOT, and I think they have a little cult following. Values are going up - I got mine a year or so ago for $400, and I've seen a few MKIII go this past year on ebay for $800-900. The SV values are still down, but the Bassmasters and MKII values are through the roof. Very hard to find any of them here in the US.

      I spent quite a bit of time looking for original transformers for this project but was unable to find any.

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      • #4
        You say that you have +/- 1v at the B+ "so all voltages in the amp are about the same"...did you measure them just to be sure?

        Bear in mind that you can only recreate the things that you can see & measure & explain...there are often subtle differences between amps that at first glance should be "identical", it's not common to find identically sounding amps, even after measuring everything that you can think of.

        "Same tone control settings on either amp" measured, or set by eye? Pot tapers can vary wildly, how close can you set the sound, by utilising "different" settings? Pots are usually at their most similar setting either all the way up, or all the way down.

        How do the 2 OTs measure up in terms of primary Z/turns ratio? Looking the same is no guarantee that they are anything a like, loots of variables that you can't see, but the OT can.

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        • #5
          Isn't the choke on these often 'up stream' of the OT, rather than between the OT and screen nodes, as is usual? So they're chunky to cope with the much higher current.
          That tends to more power supply sag / power compression at high levels, due to the Vdc dropping across the choke before it gets to the OT.
          My band:- http://www.youtube.com/user/RedwingBand

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          • #6
            Yes. My TnB 50 at least had a pi filter, with two 50uF caps and a large choke in between. I kept it that way when I rebuilt it.
            "Enzo, I see that you replied parasitic oscillations. Is that a hypothesis? Or is that your amazing metal band I should check out?"

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            • #7
              MWJB: I did measure all the voltages throughout the amp and specifically tweaked the dropping resistors (didn't need much) to ensure that everything was within a few volts all throughout, preamp right on up through the power supply.

              Just checked the OT impedance and they are both just a bit under 3.8K at 16 ohm tap (which is what I'm using). BTW, went back through some notes and I think the original OT is a Dagnall T187.

              Now, about the choke: CRAP! I feel stupid now. Yes, you are correct, the original beast runs the pi filter before the OT taps the power. I wired the recreation up incorrectly, typical Marshall style (I've been building a bunch of JTMs lately). So, I think I better get a bigger choke. The only thing I have on hand that might be even close to the right size is a Hammond 10H, 82 ohm resistance, 800VDC rated, 200 mA. It's basically as big as the OT, but I don't think this has enough current handling, does it? For 2 x EL34 at around 445 B+, 50W amp with (3) 12ax7, shouldn't I play it safe and jump up to about 300 mA rated choke?

              Thanks guys! (slaps forehead)

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              • #8
                I'd be thinking even higher, at least 400mA, as that's the current level when the thing gets cranked. If you go over a choke's rating
                - it might overheat
                - the magnetic circuit gets saturated and it loses inductance, this may lead to excess ripple getting through and causing ghost notes.

                Having said that, Sound City amps made do with the screen fed from the same node as the OT at the rectifier output, no additional filtering.
                My band:- http://www.youtube.com/user/RedwingBand

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                • #9
                  That big, really? I k ow the original choke measures about 10H cold and disconnected, and IIRC I'm pretty sure the DC resistance was somewhere between 65-85 ohms. Pretty low. I don't know exactly how much it weighs, but it's not as big as the OT so I'll estimate about 3-3.5 pounds. At 10H, low resistance, and that size, how could it handle 400mA? Maybe 14 guage wire? These amps were not high-dollar amps, so I'm guessing that possibly they went the jtm45/100 route and used an undersized choke that dropped inductance as the current went up. I guess the basic question is, can it *hurt* anything to hook up this 5 pound Hammond beast the proper way (OT after choke) and see what happens?

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                  • #10
                    I doubt that the B+ winding will even be rated at 400mA, so I don't really see much point in going that high with the choke rating, 200mA should be plenty.

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                    • #11
                      Got it!! It's kind of funny to see this big-ass Hammond choke sitting up there which is slightly bigger than the OT! Fixed my mistake as well as one other I found incidentally while looking through things (from the other thread on the tone controls - Steve, I DID have a mistake in there! Now I feel even dumber...) and now it absolutely nails the sound of the original amp. Dead on, no kidding. Now I need to figure out what the best combination of speakers in a 2X12 will be for this thing. Definitely one "classic" Brit voiced alnico speaker, like a gold, but it needs a complimentary speaker with more of a darker character to thicken up the treble, more mids. I think a lot of the original cabs that came with the Bassmaster and MKII series used Fane Crescendo speakers, but I don't know anything about them...

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                      • #12
                        Originally posted by EFK View Post
                        Got it!! It's kind of funny to see this big-ass Hammond choke sitting up there which is slightly bigger than the OT! Fixed my mistake as well as one other I found incidentally while looking through things (from the other thread on the tone controls - Steve, I DID have a mistake in there! Now I feel even dumber...) and now it absolutely nails the sound of the original amp. Dead on, no kidding. Now I need to figure out what the best combination of speakers in a 2X12 will be for this thing. Definitely one "classic" Brit voiced alnico speaker, like a gold, but it needs a complimentary speaker with more of a darker character to thicken up the treble, more mids. I think a lot of the original cabs that came with the Bassmaster and MKII series used Fane Crescendo speakers, but I don't know anything about them...
                        Selmer used Goodmans speakers alot - try a pair of 50w 12-P Power Range speakers (they come up cheap on ebay fairly reguarly). I'm using one myself in my 30w 1x12 'plexi' combo.
                        HTH - Heavier Than Hell

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                        • #13
                          Selmer TnB mod

                          Originally posted by pdf64 View Post
                          Isn't the choke on these often 'up stream' of the OT, rather than between the OT and screen nodes, as is usual? So they're chunky to cope with the much higher current.
                          That tends to more power supply sag / power compression at high levels, due to the Vdc dropping across the choke before it gets to the OT.
                          Hi there:
                          This exact topic is quite pertinent to me right now!!
                          I have a selmer TnB mkiii and I want to use it as a pedal platform for shows, instead of the 22 watt amp i used to gig with, because it was a bit mushy, so i crave higher head room.
                          Only I've noticed this beast caves in and cuts out on low notes at gig volume..
                          In short I'd like to make it more like the 6G6 it is based on.. Is this possible?
                          I want the power choke (low end response) to be less temperamental/more conventional, the presence control to be added and maybe also reorder the tone stack in relation to te volume a la the blonde bassman.
                          Im good with an iron and have done lots of work on my old amp (a souped up deluxe reverb).

                          Any diagrams, tips or warnings would be appreciated very much!
                          thanks
                          Pete

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                          • #14
                            Before appraising the amp design / considering mods, a sensible 1st step is to check that the amp is working ok, ie as the designer intended.
                            eg does the amp conform to the schematic, what are the results of a voltage survey, how much continuous power can it deliver into a resistive load before it overdrives?

                            Bear in mind that even with everything good, the Selmer is unlikely to have more than 3dB power headroom over a DR, with a 1dB change being the normal resolution of human perception.
                            And if you mods to your DR included silicon rectification then the differential may be even less.
                            Last edited by pdf64; 02-05-2017, 10:40 PM.
                            My band:- http://www.youtube.com/user/RedwingBand

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