Merlin's books
I don't have Merlin's second book yet, but I'm just about finished reading his first book through for the second time, and I'd like to share a couple of points he makes that seem important to me. [My apologies if this is the wrong place to do so...]
1. Use higher-value grid stoppers everywhere. Kevin O'Conner makes this point for screen grids in pentode output tubes, but Merlin's point is that using them in preamp stages will avoid grid conduction and the nasty distortion that causes. This can really improve the sound of overdrive preamps.
2. It makes no sense to use different plate resistors in long-tail phase inverters. Just use 100k for both (in the Fender circuit). To find out why, read Chapter 8.
What I'd like to know from others (related to Merlin's 1st book, among other things):
1. How does Merlin"s "scale" control (where the phase inverter bias is varied to limit output voltage) sound? Has anyone built one?
2. Has anyone tried cascode stages in guitar amps?
Bob
I don't have Merlin's second book yet, but I'm just about finished reading his first book through for the second time, and I'd like to share a couple of points he makes that seem important to me. [My apologies if this is the wrong place to do so...]
1. Use higher-value grid stoppers everywhere. Kevin O'Conner makes this point for screen grids in pentode output tubes, but Merlin's point is that using them in preamp stages will avoid grid conduction and the nasty distortion that causes. This can really improve the sound of overdrive preamps.
2. It makes no sense to use different plate resistors in long-tail phase inverters. Just use 100k for both (in the Fender circuit). To find out why, read Chapter 8.
What I'd like to know from others (related to Merlin's 1st book, among other things):
1. How does Merlin"s "scale" control (where the phase inverter bias is varied to limit output voltage) sound? Has anyone built one?
2. Has anyone tried cascode stages in guitar amps?
Bob
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