Assuming we can't all look at a scope trace of a dummy loaded amplifier driven by a signal generator and know what it means adjectively to the tone.
To be more precise, *changes* in scope traces can directly be related to *changes* in sound.
After seeing+hearing lots of different waveforms along time, you get to the point that hearing something evokes the waveform it *should* be producing and vice-versa.
Then, when you turn the scope on, you often find something very similar to what you expected.
As far as gain+cf stages, Soldanos have one *before* the effects loop and another one *after*.
There must be a good reason for that.
To boot, the attenuator between them is calculated so they clip at about the same time or, to see it from another point of view, to guarantee that no matter what you plug in the loop, either one or the other will clip in the particular CF way when expected to do so.
Comment