Preamble/Rant
I would like to start a thread with a fairly narrow topic so that we may focus on depth of knowledge. I've started a few posts on this subject and they've quickly evolved into other topics. I'm normally not this pedantic, but I request that replies to this post respond to the topic only so that we may collect our knowledge on this topic in one area. Thank you.
Topic
Starting with a basic circuit of PI => CF => Output tube, what is the most elegant circuit to build for a blues guitar amplifier. The primary consideration should be reduction of blocking distortion as defined by Randall Aiken:
http://www.aikenamps.com/BlockingDistortion.html
The Ampeg SVT/V9 output section is a good starting place.
http://members.aol.com/portaflex/schems/svt6550a.gif
I'd like to focus on just designing for the cathode follower portion of that output section. Not the phase inverter or driver. Other forms of AB2 are not of interest. The assumption is that this will be transplanted into a Super Reverb type amplifier.
I think the way this circuit works is that the bias adjustment simultaneously changes the bias point of the CF as well as the output tube. Adjusting the 15k pot changes the bias point of the CF by changing the potential between the cathode and the grid of that tube. The potential between the cathode and ground is changed because the CF is drawing more current and there is an IR drop across the resistive path. This changes the bias point of the tube. Am I correct?
If so then designing the bias point of the CF is important so that it will work well when the output tubes are biased properly. Opinions on how the tone of the CF in this position is changed by bias should be an important part of this discussion.
My questions are:
1) Would a 12AU7 work well? What changes to the circuit would be needed?
2) I assume that the 150K current limiting resistor on the grid of the CF as well as the 47K on grids of the output tubes are not critical to the operating point of the tube. Is the critical design element here merely the trade-off between the limiting of grid current and the high frequency roll-off due to miller-effect capacitance?
3) What is the most elegant way to design the bias supply? The goal is to reduce bias shift during grid conduction. My preference would be to use only resistors in the grid circuit. Is the SVT circuit best? What is the optimum impedance for the grids of, let's say, 6550s in this circuit?
4) In the ampeg transformer is there a separate winding for bias or are these taps off the secondary? What are the issues here? When the output tube is conducting does the current through the bias winding effect the power supply voltage?
5) Assuming that I am removing the Vibrato circuit on a Super Reverb and using that tube position for the CF, what would be the best setup to prototype this? Would fabricating a separate bench negative supply with a CT transformer and adjusting it with a variac be the way to go? Where should I connect the CT of that supply if not to the CT of the transformer in the amp?
Thanks, I look forward to your responses.
I would like to start a thread with a fairly narrow topic so that we may focus on depth of knowledge. I've started a few posts on this subject and they've quickly evolved into other topics. I'm normally not this pedantic, but I request that replies to this post respond to the topic only so that we may collect our knowledge on this topic in one area. Thank you.
Topic
Starting with a basic circuit of PI => CF => Output tube, what is the most elegant circuit to build for a blues guitar amplifier. The primary consideration should be reduction of blocking distortion as defined by Randall Aiken:
http://www.aikenamps.com/BlockingDistortion.html
The Ampeg SVT/V9 output section is a good starting place.
http://members.aol.com/portaflex/schems/svt6550a.gif
I'd like to focus on just designing for the cathode follower portion of that output section. Not the phase inverter or driver. Other forms of AB2 are not of interest. The assumption is that this will be transplanted into a Super Reverb type amplifier.
I think the way this circuit works is that the bias adjustment simultaneously changes the bias point of the CF as well as the output tube. Adjusting the 15k pot changes the bias point of the CF by changing the potential between the cathode and the grid of that tube. The potential between the cathode and ground is changed because the CF is drawing more current and there is an IR drop across the resistive path. This changes the bias point of the tube. Am I correct?
If so then designing the bias point of the CF is important so that it will work well when the output tubes are biased properly. Opinions on how the tone of the CF in this position is changed by bias should be an important part of this discussion.
My questions are:
1) Would a 12AU7 work well? What changes to the circuit would be needed?
2) I assume that the 150K current limiting resistor on the grid of the CF as well as the 47K on grids of the output tubes are not critical to the operating point of the tube. Is the critical design element here merely the trade-off between the limiting of grid current and the high frequency roll-off due to miller-effect capacitance?
3) What is the most elegant way to design the bias supply? The goal is to reduce bias shift during grid conduction. My preference would be to use only resistors in the grid circuit. Is the SVT circuit best? What is the optimum impedance for the grids of, let's say, 6550s in this circuit?
4) In the ampeg transformer is there a separate winding for bias or are these taps off the secondary? What are the issues here? When the output tube is conducting does the current through the bias winding effect the power supply voltage?
5) Assuming that I am removing the Vibrato circuit on a Super Reverb and using that tube position for the CF, what would be the best setup to prototype this? Would fabricating a separate bench negative supply with a CT transformer and adjusting it with a variac be the way to go? Where should I connect the CT of that supply if not to the CT of the transformer in the amp?
Thanks, I look forward to your responses.
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