...screwed-up Carvin X-60A chassis?
(I'm not sure where'd belong such a post so I put it in the "design" section)
So I got this Carvin on the bench a while ago:cosmetics 9/10,fair British Vintage 12-inch driver BUT...the previous owner thought that the combo should be MUCH better if the output stage shall be modified from tube to SS.The guy that made this "upgrade" (TV-repairman,zero-knowledge in tube amps and guitar playing whatsoever) ripped the OPT and thrashed it,then literally butchered the PCB and installed a proprietary SK-based output stage outside the chassis.To keep things short,the SS output burned out and the actual owner wants the amp back to it's "original state" wich I'm afraid it's impossible due to the above-mentioned destroyed PCB (to the "point of no return" degree) and missing components.
My offer was to re-build completely the amp (a new PCB that follows just the physical config of the original one because of the three noval and two octal tubes,the pots' placement and rear connectors).I have some PTs,chokes and OPTs rescued from some other amps so the iron isn't a problem...well,this is where you should chime in:what config to choose?
The owner didn't say nothing about his preferences but it happens that I know his playing style and sound...70's R&R.
The input stage/tonestack config should be anything two-channel(clean/dist) that uses a pair of 12AX7's.Also,the PI and output sections might be the straightest possible,either EL34s or 6L6s (as I said,I have several OPTs).
Bottom line:this post might sound silly for some of you,no doubt.I could build anything (well,almost...)but the truth is that I'm torned apart between so many good designs and I'd want to rescue this amp as elegantly as possible.Also,because of the PCB's (fairy large) size,I'd like to get it working within a rather small number of experimentations.
This job is a "cost-no-object" one because the owner deserves it fully (he kindly let my jazz trio to rehearse in a gorgeous establishment with no restrictions and fees so this amp job is the least I can do for him).
Thank you for any idea and comment (even the "use your own brain dude and don't waste my time" ones are welcome! ).
Regards,
(I'm not sure where'd belong such a post so I put it in the "design" section)
So I got this Carvin on the bench a while ago:cosmetics 9/10,fair British Vintage 12-inch driver BUT...the previous owner thought that the combo should be MUCH better if the output stage shall be modified from tube to SS.The guy that made this "upgrade" (TV-repairman,zero-knowledge in tube amps and guitar playing whatsoever) ripped the OPT and thrashed it,then literally butchered the PCB and installed a proprietary SK-based output stage outside the chassis.To keep things short,the SS output burned out and the actual owner wants the amp back to it's "original state" wich I'm afraid it's impossible due to the above-mentioned destroyed PCB (to the "point of no return" degree) and missing components.
My offer was to re-build completely the amp (a new PCB that follows just the physical config of the original one because of the three noval and two octal tubes,the pots' placement and rear connectors).I have some PTs,chokes and OPTs rescued from some other amps so the iron isn't a problem...well,this is where you should chime in:what config to choose?
The owner didn't say nothing about his preferences but it happens that I know his playing style and sound...70's R&R.
The input stage/tonestack config should be anything two-channel(clean/dist) that uses a pair of 12AX7's.Also,the PI and output sections might be the straightest possible,either EL34s or 6L6s (as I said,I have several OPTs).
Bottom line:this post might sound silly for some of you,no doubt.I could build anything (well,almost...)but the truth is that I'm torned apart between so many good designs and I'd want to rescue this amp as elegantly as possible.Also,because of the PCB's (fairy large) size,I'd like to get it working within a rather small number of experimentations.
This job is a "cost-no-object" one because the owner deserves it fully (he kindly let my jazz trio to rehearse in a gorgeous establishment with no restrictions and fees so this amp job is the least I can do for him).
Thank you for any idea and comment (even the "use your own brain dude and don't waste my time" ones are welcome! ).
Regards,
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