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  • impedance question

    I just restored a 1961 Made in Germany Bang and Olufsen 15 watt/side stereo HiFi amp that I am running on a quad of Mullard ECL85s. The amp has a 4 ohm and a 16 ohm switch. If I want to run a set of 8 ohm speakers, which is the better position? I'm thinking 4 ohm. I can find no drawings on this amp whatsoever.
    It's weird, because it WAS working fine.....

  • #2
    Originally posted by Randall View Post
    The amp has a 4 ohm and a 16 ohm switch. If I want to run a set of 8 ohm speakers, which is the better position? I'm thinking 4 ohm.
    Yes I'd pick the 4 ohms tap. Also, you've looked at the OT's and no 8 ohm tap? Odd that they would have 16 & 4 but no 8.
    This isn't the future I signed up for.

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    • #3
      Can't really tell from looking at the OT, but on the back panel under the speaker connections it is labelled 4 or 16 ohm. Maybe they intended it to be run with a pair of 8 ohm speakers on each side wired in either series or parallel?
      It's weird, because it WAS working fine.....

      Comment


      • #4
        Originally posted by Randall View Post
        Maybe they intended it to be run with a pair of 8 ohm speakers on each side wired in either series or parallel?
        A little puzzling because Europe seems to prefer 16 ohms as a standard speaker impedance while 8 ohms is most popular in the USA. Well whatever - it may not be perfect but I have a feeling your output tubes would be happier driving 8 ohms speakers from the 4 tap. Might have a peek at those OT's & see if there's an un-assigned output tap, might be the 8 ohms you're looking for. And - maybe there's nothing.
        This isn't the future I signed up for.

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        • #5
          Yes I'd pick the 4 ohms tap. Also, you've looked at the OT's and no 8 ohm tap? Odd that they would have 16 & 4 but no 8.
          Makes sense from the winder's point of view: it has 2 equal (in fact might even be bifilar wound) 4 ohms windings, which in series give 16 ohms.
          Juan Manuel Fahey

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          • #6
            +++

            There is clearly a goal from the maker that doesn't suit an 8 ohm load. Perhaps the nature of available speakers at the time of manufacture.?. As an aside...

            Marshall 4X12 cabs are either 4 ohms OR 16 ohms. Never 8 ohms. This could be a similar situation. A foresight on the part of B & O.
            "Take two placebos, works twice as well." Enzo

            "Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas

            "If you're not interested in opinions and the experience of others, why even start a thread?
            You can't just expect consent." Helmholtz

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            • #7
              i'm thinking that both B&O and Marshall could be using 4 and 16 ohm taps for different reasons. in the B&O case, it amounts to OT winding efficiency. in the Marshall case, it could also be winding efficiency. But the Marshall case has an additional factor that might play in -- a quad of 16 ohm drivers. It's pretty easy to put four 16 ohm drivers in a cab and get either 16 ohms (series/parallel) or 4 ohms (parallel). kinda hard to get 8 ohms out of four 16 ohm drivers.
              "Stand back, I'm holding a calculator." - chinrest

              "I happen to have an original 1955 Stratocaster! The neck and body have been replaced with top quality Warmoth parts, I upgraded the hardware and put in custom, hand wound pickups. It's fabulous. There's nothing like that vintage tone or owning an original." - Chuck H

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              • #8
                16 ohm speakers were common in Europe. Try both taps and see which you prefer the sound of.
                "Enzo, I see that you replied parasitic oscillations. Is that a hypothesis? Or is that your amazing metal band I should check out?"

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                • #9
                  Using the 16 Ohms tap is the more secure way.

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                  • #10
                    Originally posted by J M Fahey View Post
                    it has 2 equal (in fact might even be bifilar wound) 4 ohms windings, which in series give 16 ohms.
                    Wouldn't that be 8 ohms?
                    It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein


                    http://coneyislandguitars.com
                    www.soundcloud.com/davidravenmoon

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                    • #11
                      Good question. I don't know the specifics, but would like see it run down again. I do believe it's because, WRT transformers windings, the series connection is squared.
                      "Take two placebos, works twice as well." Enzo

                      "Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas

                      "If you're not interested in opinions and the experience of others, why even start a thread?
                      You can't just expect consent." Helmholtz

                      Comment


                      • #12
                        Calculate the voltage for 10W at 4 ohms, 10W at 8 ohms and 10W at 16 ohms. It should be clear to you.

                        E= (P*R)^.5
                        WARNING! Musical Instrument amplifiers contain lethal voltages and can retain them even when unplugged. Refer service to qualified personnel.
                        REMEMBER: Everybody knows that smokin' ain't allowed in school !

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                        • #13
                          Yes, that's the point.
                          "4/8/16" ohms is nominal, in fact we are putting windings in series or parallel, and what counts is turns.
                          2 x "4 ohms" windings in parallel are still 4 ohms , and many OT are made that way (Bassman among others which has 3 x "2 ohms" windings made out of relatively thinner wire) while if in series: 2X the turns, 4X the impedance.

                          Many very high quality Hi Fi transformers, often wound on "C" cores, have a dozen (no kidding) independent equal secondaries, or split in 2 groups, say, 6 with 14 turns, six with 20 turns, and come with a connection table which lets them have any secondary impedance between 2 and 32 ohms and a wide range of primary ones, to adapt to many different tubes and amps.
                          Juan Manuel Fahey

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                          • #14
                            Like this one for Marshall.

                            Click image for larger version

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