As I've worked on more amps, I've noticed that it wasn't uncommon for designers of the late 1940s and 1950s (Gibson, Premier) to use fairly large value plate resistor values for 6SC7/6SL7/12AX7 gain stages, from 330k to 470k. In later amps, you almost always see 100k or maybe 220k.
In listening to these earlier amps, they are definitely colored rather than clean, but colored in a way that I tend to like. My question is: What circuit effect am I listening to? Is it the output impedance of the stage interacting with the next stage?
As one example, on the Gibson GA30 schematic, you see 100k plate resistors on a 6SC7, but in an actual 1953 GA30 I just worked on, the plate resistors were 470k.
In listening to these earlier amps, they are definitely colored rather than clean, but colored in a way that I tend to like. My question is: What circuit effect am I listening to? Is it the output impedance of the stage interacting with the next stage?
As one example, on the Gibson GA30 schematic, you see 100k plate resistors on a 6SC7, but in an actual 1953 GA30 I just worked on, the plate resistors were 470k.
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