I am aware on a similar discussion fairly recently (http://music-electronics-forum.com/t41041/) but i feel that it might be better to start a more specific discussion which hopefully might go a bit deeper.
It is about overdriving Hiwatts. To me the only resonable place in the amp for doing this is somewhere before the master volume and hence V2, especially in the larger models.
My reference is may Mywatt 200. Its preamp follows the "Mid 70s Four Input" layout: http://hiwatt.org/Schematics/DR_Pre4Input_v2.gif with a minor and negligible difference in the tone stack. BTW: there is also a 2nd "victim": my Epiphone Valve Junior, where i would like to be able to overdrive stage 2 and need leave the power stage clean.
Both V1 and V2 are modified: i added "large" capacitors to the cathodes of all three stages, in V2 mainly with the intention to tame the sharpness of the sound while playing clean. The normal channel is fullrange, and the bright channel cuts 1st order below 70 Hz.
The resistors of cathode and anode have not been touched; their values are still 1 kOhm / 100 kOhm.
V2 can be overdriven, and when that occurs, it sounds a bit muddy and also a bit harsch. The harshness is less pronounced when i use the bright channel. An indication for blocking distortion - despite the grid stopper of 470 kOhms?
No what can be done about that?
Having a look at an earlier version of that preamp: V2 is configured with 2.2 kOhm / 220 kOhm. Not overdriven this should lead to a cleaner sound than in my Mywat, shouldn't it? (the distortions of 2 stages with similarly cold bias should compensate to some degree, and with 220 k at the anode the ECC83 should produce less distortion than with 100 k anyway, correct?
What would happen if i overdrive that stage? A different tonal spectrum due to the colder biasing? Earlier yet maybe sharper onset of distortion due to the smaller anode voltage caused by the larger Ra?
What Do You think?
It is about overdriving Hiwatts. To me the only resonable place in the amp for doing this is somewhere before the master volume and hence V2, especially in the larger models.
My reference is may Mywatt 200. Its preamp follows the "Mid 70s Four Input" layout: http://hiwatt.org/Schematics/DR_Pre4Input_v2.gif with a minor and negligible difference in the tone stack. BTW: there is also a 2nd "victim": my Epiphone Valve Junior, where i would like to be able to overdrive stage 2 and need leave the power stage clean.
Both V1 and V2 are modified: i added "large" capacitors to the cathodes of all three stages, in V2 mainly with the intention to tame the sharpness of the sound while playing clean. The normal channel is fullrange, and the bright channel cuts 1st order below 70 Hz.
The resistors of cathode and anode have not been touched; their values are still 1 kOhm / 100 kOhm.
V2 can be overdriven, and when that occurs, it sounds a bit muddy and also a bit harsch. The harshness is less pronounced when i use the bright channel. An indication for blocking distortion - despite the grid stopper of 470 kOhms?
No what can be done about that?
Having a look at an earlier version of that preamp: V2 is configured with 2.2 kOhm / 220 kOhm. Not overdriven this should lead to a cleaner sound than in my Mywat, shouldn't it? (the distortions of 2 stages with similarly cold bias should compensate to some degree, and with 220 k at the anode the ECC83 should produce less distortion than with 100 k anyway, correct?
What would happen if i overdrive that stage? A different tonal spectrum due to the colder biasing? Earlier yet maybe sharper onset of distortion due to the smaller anode voltage caused by the larger Ra?
What Do You think?
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