When it comes to choosing a cathode bypass capacitor value for a typical guitar input stage, what tests/experiments do you run? What is your decision-making process?
I'm working on ~1957 single 6V6 amp with a 12" speaker, treble cut control only, no bass tone control, that was pretty obviously put together with whatever they had on-hand. The cathode resistor is 1.5k with a 6SN7 input tube, and you hear differences moving from 3.3uF up to 10uF. Once you're over 10uF, you're at the point of diminishing returns. Schematic value was 20uF. The actual original cap was 50uF.
Still, it seems to be a matter of taste, and it's hard to decide between having a full sound and too much muddiness. Owner may use it for lap steel.
I'm working on ~1957 single 6V6 amp with a 12" speaker, treble cut control only, no bass tone control, that was pretty obviously put together with whatever they had on-hand. The cathode resistor is 1.5k with a 6SN7 input tube, and you hear differences moving from 3.3uF up to 10uF. Once you're over 10uF, you're at the point of diminishing returns. Schematic value was 20uF. The actual original cap was 50uF.
Still, it seems to be a matter of taste, and it's hard to decide between having a full sound and too much muddiness. Owner may use it for lap steel.
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