Sorry for the lame pun, but I'm looking at a Zinky/Fender schematic and I'm not following what he was thinking.
On the attached Vibro King schematic I've highlighted the area that's got me scratching my head.
V4A is used as a recovery stage from the effects loop. The output of V4A goes through two high pass filters in series, then to the volume pot at the input to V4B which drives the tone stack.
I'm not sure why they decided to put these two high-pass filters in series at the output of V4A:
The first filter, comprised of C5 and R21, looks like it amounts to a subsonic filter.
The second filter, comprised of C6 and R15, looks like it has a musically relevant corner frequency in order to throw away some LF content.
Why have these two filters been placed in series? I'm thinking that C5 and R21 doesn't even have to be there. Am I missing something obvious?
On the attached Vibro King schematic I've highlighted the area that's got me scratching my head.
V4A is used as a recovery stage from the effects loop. The output of V4A goes through two high pass filters in series, then to the volume pot at the input to V4B which drives the tone stack.
I'm not sure why they decided to put these two high-pass filters in series at the output of V4A:
The first filter, comprised of C5 and R21, looks like it amounts to a subsonic filter.
The second filter, comprised of C6 and R15, looks like it has a musically relevant corner frequency in order to throw away some LF content.
Why have these two filters been placed in series? I'm thinking that C5 and R21 doesn't even have to be there. Am I missing something obvious?
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