Originally posted by Mike Sulzer
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cathode bypass and grid stoppers/ when where and why
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Originally posted by Malcolm Irving View PostGood points, I agree. With the vol. all the way down, the output drops to 0.5mV ac. The hum (as well as the hiss) must be coming from the first stage (which is the only one prior to the vol. control).
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But Malcolm notes that it's 100Hz hum (post #26).My band:- http://www.youtube.com/user/RedwingBand
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Originally posted by pdf64 View PostBut Malcolm notes that it's 100Hz hum (post #26).
Malcolm is using an aluminum chassis, not as good as steel for magnetic shielding. Could this be how hum is getting through? Are preamp tube shields being used? If aluminum, would steel shields make a difference?
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The amp uses AC heaters. We’re on 50Hz here in the UK, which makes the hum 100Hz on B+, so I expect it is coming from the B+ rail. As Mike said, doubling the reservoir cap reduces the hum throughout the B+ supply, including that to V1. The EF86 has an internal shield, which in this case is grounded.
I’ve tried 4 old EF86s and 2 new ones, producing a range of hiss and hum output levels, at full volume, from 13mV to 20mV. (All with 2 x 47uF reservoir.)
It is interesting that the hiss and hum are subjectively at about the same level, while the earlier test suggests that hum is a bigger voltage component of the output. (Doubling the reservoir reduced the hum but does nothing to the hiss.) I expect this is due to human hearing being much less sensitive to 100 Hz than to the higher frequencies in the hiss, at these low sound pressure levels.
The hum (and hiss) are already at an acceptable low level, but I will try tacking on an additional smoothing cap on the B+ for V1 and report back, when I have some time, just out of academic interest.
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I’ve increased the B+ smoothing cap which supplies V1 (and the LTP) from 22uF to 44uF.
Noise output at full volume is now down to 8mV. Subjectively, the hiss is now much more noticeable than the hum.
Tried grounding to the chassis near the input jack (option 1) or at the reservoir cap 0V (option 2) – still no noticeable or measureable difference.Last edited by Malcolm Irving; 12-09-2017, 03:20 PM.
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Originally posted by pdf64 View PostBut Malcolm notes that it's 100Hz hum (post #26).
Speaking of pentodes, has anyone tried using them further along the preamp chain rather than at the input? The idea would be this: Since amps today often have power stages that are too powerful for the application, there is a greater emphasis on preamp distortion. But that is usually all triode, while the output stage is almost always pentode or, similarity, beam power tetrode. I am thinking that an interesting thing to try would be an EF86 phase splitter before the triode phase splitter. Each EF86 output would feed one input of the triode phase splitter through a "stereo" master volume control. The EF86 splitter would also have an "imbalance" control so that you could adjust the ratio of even and odd harmonics. Has anyone tried something like this?
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Originally posted by Malcolm Irving View PostI’ve increased the B+ smoothing cap which supplies V1 (and the LTP) from 22uF to 44uF.
Noise output at full volume is now down to 8mV. Subjectively, the hiss is now much more noticeable than the hum.
Tried grounding to the chassis near the input jack (option 1) and at the reservoir cap 0V (option 2) – still no noticeable or measureable difference.
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Originally posted by Malcolm Irving View PostThe EF86 only uses pins 4 and 5 for the heater, so I was able to get a very tight twist right up to the valve base. The heater supply is centre-tapped and elevated by connecting the centre-tap to the EL84 cathodes (they are cathode-biased).
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There were some interesting claims from Mullard about the EF86, reproduced here:
EF86 @ The Valve Museum
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If the hum is 100Hz, that is power supply tripple, but that doesn't necessarily mean a lack of filtering, The ripple charging currents can travel on ground lines and inject their noise into sensitive stages. Adding more cap doesn't help that. Making sure that sensitive stage is not sharing ground copper with the filters upstream can help.Education is what you're left with after you have forgotten what you have learned.
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Yes. That’s an important point, but I think I’ve got it covered. Each power supply filter cap is physically close to the stage(s) it supplies and the 0V of that cap forms a local star ground. The local stars are then daisy-chained together using dedicated ground wires from local star to local star.
Just as a reference point, I’ve made some measurements on the only commercial amp I have to hand, which is a Blues Junior. It produces 7mV across the 8 ohm speaker with vol. and master full up, and 16mV with the ‘fat’ switch engaged. Not a like-for-like comparison though, as the BJ is what I would call a medium-gain amp, while my home-brew is a low-gain amp. On the other hand, my home-brew is ‘open chassis’ on the bench while the Fender has the benefit of a foil screen to close off the chassis.
Fully closing the screening on a chassis can make a big difference at these low noise levels. I had a Quad II hi-fi amp to work on (2 x KT66) and was surprised how buzzy it was on the bench, but as soon as I screwed the base onto the chassis it went 'silent'.Last edited by Malcolm Irving; 12-10-2017, 11:29 AM.
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Originally posted by Malcolm Irving View PostJust tried a layer of aluminium foil to close off the chassis on my home-brew amp. Very little difference, just 1mV (approx.) reduction in noise output."Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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