just in case the OP is still wondering why it's taken 4 pages for him to get the answer he wants, the problem may be that the answer he wants isn't forthcoming. as you can see, there are many various design considerations that need to be discussed, rather than just settling on a simple answer.
there are lots of reasons that 50W amps are designed they way they are, using the components they use. and there are lots of reasons that 100W amps are designed the way they are, using entirely different components. i think that in 4 pages we've covered every reasonable thing that would need to be reconsidered when changing from a 4 tube to a 2 tube setup, with the only item that hasn't been mentioned yet being grid loading. Fender's designs from the SF era forward took parallel loading into consdieration, while Marshall's didn't. Personally I think it makes a difference that matters, though others (such as the BF fans) may disagree.
What all of this goes to show is that every feature of a 100W amp is changed when scaling up from a 50W amp, and similarly, every feature of a 100W amp would need to be changed if you're scaling it down to a 50W amp, if your intent is to do everything "right". But there's a lot of leeway, which is why you can get away with a 50/100 switch for occasional use. But if I weren't going back and forth, and I wanted a dedicated 50W amp, there's just no way I'd use a 100W platform as a starting point. and if I was intent on building my own amp to do both things, then there would be a lot more compensation involved than just pulling a pair of tubes for flipping a cathode interruption switch. pulling 2 tubes works. it's often good enough, but there are better ways to accomplish the same goal which involve more design considerations.
re-designing an amp involves a lot of thought. just about EVERY design consideration that went into designing that 100W amp needs to be re-evaluated if you're going to convert it into a dedicated 50W amp. It's a great learning exercise if that's what you're after, but if you're an old salt you'll probably conclude is that the easiest way to make a 100W amp sound "smaller" is to add a little bit of attenuation on the output. taking the output down a few dB doesn't change tone appreciably, and plugging in an attenuator is so easy that nobody in his right mind would consider modding a Twin Reverb downward... that is, unless they just want to do it as a learning experience.
My personal opinion on this: if you really want to quiet down a Twin Reverb by only 3 dB then the shortest distance between two points is attenuation. YMMV.
there are lots of reasons that 50W amps are designed they way they are, using the components they use. and there are lots of reasons that 100W amps are designed the way they are, using entirely different components. i think that in 4 pages we've covered every reasonable thing that would need to be reconsidered when changing from a 4 tube to a 2 tube setup, with the only item that hasn't been mentioned yet being grid loading. Fender's designs from the SF era forward took parallel loading into consdieration, while Marshall's didn't. Personally I think it makes a difference that matters, though others (such as the BF fans) may disagree.
What all of this goes to show is that every feature of a 100W amp is changed when scaling up from a 50W amp, and similarly, every feature of a 100W amp would need to be changed if you're scaling it down to a 50W amp, if your intent is to do everything "right". But there's a lot of leeway, which is why you can get away with a 50/100 switch for occasional use. But if I weren't going back and forth, and I wanted a dedicated 50W amp, there's just no way I'd use a 100W platform as a starting point. and if I was intent on building my own amp to do both things, then there would be a lot more compensation involved than just pulling a pair of tubes for flipping a cathode interruption switch. pulling 2 tubes works. it's often good enough, but there are better ways to accomplish the same goal which involve more design considerations.
re-designing an amp involves a lot of thought. just about EVERY design consideration that went into designing that 100W amp needs to be re-evaluated if you're going to convert it into a dedicated 50W amp. It's a great learning exercise if that's what you're after, but if you're an old salt you'll probably conclude is that the easiest way to make a 100W amp sound "smaller" is to add a little bit of attenuation on the output. taking the output down a few dB doesn't change tone appreciably, and plugging in an attenuator is so easy that nobody in his right mind would consider modding a Twin Reverb downward... that is, unless they just want to do it as a learning experience.
My personal opinion on this: if you really want to quiet down a Twin Reverb by only 3 dB then the shortest distance between two points is attenuation. YMMV.
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