A 100dB guitar speaker has an efficiency of about 6%. In other words 94% of the electrical power supplied to the speaker is dissipated as heat, and only 6% is converted into acoustic power.
A loudspeaker equivalent circuit includes various resistances, inductances and capacitances. Pure inductances and capacitances cannot dissipate any power, so 100% of the input power must be dissipated in the equivalent circuit resistances.
My question is:
Can we (and should we) separate ‘acoustic power dissipation’ from ‘heat dissipation’ in the equivalent circuit?
For example, if we decide that all the acoustic energy is included in the dissipation of a particular 16 ohm resistor in the equivalent circuit, we could split that resistor into a series combination of 1 ohm and 15 ohms. We could then say the heat dissipated in the 1 ohm resistor represents acoustic power dissipation while the heat produced in the 15 ohms and any other resistors represents heating (in the real speaker).
Two further questions then arise:
There are usually three or more resistors in the equivalent circuit – how should acoustic power be proportioned among them?
If we do this, could the voltage signal(s) across the ‘acoustic resistors’ be a good source for a line out to a PA or other re-amping system? (Since it could be a good representation of the sound produced by the real speaker?)
A loudspeaker equivalent circuit includes various resistances, inductances and capacitances. Pure inductances and capacitances cannot dissipate any power, so 100% of the input power must be dissipated in the equivalent circuit resistances.
My question is:
Can we (and should we) separate ‘acoustic power dissipation’ from ‘heat dissipation’ in the equivalent circuit?
For example, if we decide that all the acoustic energy is included in the dissipation of a particular 16 ohm resistor in the equivalent circuit, we could split that resistor into a series combination of 1 ohm and 15 ohms. We could then say the heat dissipated in the 1 ohm resistor represents acoustic power dissipation while the heat produced in the 15 ohms and any other resistors represents heating (in the real speaker).
Two further questions then arise:
There are usually three or more resistors in the equivalent circuit – how should acoustic power be proportioned among them?
If we do this, could the voltage signal(s) across the ‘acoustic resistors’ be a good source for a line out to a PA or other re-amping system? (Since it could be a good representation of the sound produced by the real speaker?)
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