On a four input amp, such as a tweed Fender or early Marshall, does the bright cap on the one channel roll off highs on the other?
I ask this because on the latest amp I built using the classic two channel four input I put a bright cap across both volume pots, thinking that the 270k mixing resistors would prevent the bright cap of one channel from bleeding off the highs from the other. But now I question if that is true. The amp seems to lack high end and I'm wondering if the approach of using a bright cap on both channels is making things worse.
It would be good to get some Theory and Design input before I start experimenting with various bright cap values.
TIA
I ask this because on the latest amp I built using the classic two channel four input I put a bright cap across both volume pots, thinking that the 270k mixing resistors would prevent the bright cap of one channel from bleeding off the highs from the other. But now I question if that is true. The amp seems to lack high end and I'm wondering if the approach of using a bright cap on both channels is making things worse.
It would be good to get some Theory and Design input before I start experimenting with various bright cap values.
TIA
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