I pulled an AO-29 amp from a Hammond M3 that I wanted to convert to a guitar amp (schematic). There is a "phono" RCA input that can be used for a guitar, but it is only a single 12AX7A gain stage (V4B) before the 12AU7 cathodyne phase splitter (V3B). No tone controls, and the input is downstream from the volume pedal pot, so no applicable volume control. Quiet and no potential for overdrive. I've been mulling over some modification options, and I wanted to get some opinions on the forum.
Tubes/sockets V3, V4, V5, V6, and V11 can be used to get a circuit similar to the layout of the "normal" channel of a Fender AB763 Deluxe (schematic). Power transformers for both amps are close in output voltages (Hammond 350V, Fender 325V), yet somehow the Fender is sending 420VDC to the OT, whereas the Hammond only sends 320VDC to the OT. I don't see any voltage doublers in the Fender power supply or anything like that, what would account for the higher output voltage of the Fender power supply?
There are also many now unused tube sockets that I'd like to make useful. V1, V2, V7, V8, V10 are 7 pin sockets, and V9 is a 9 pin socket. For the sake of cost, I wanted to use the original tubes for the 7 pin sockets. V8 and V9 will likely be a reverb circuit. How can I determine if T4, T5, or T6 would be suitable for the reverb transformer?
That leaves four pentodes, maybe to be used as onboard gain channels. Should I strap them for triode operation, or keep them pentode? The odd order harmonics of pentode operation would better simulate transistor distortion. Should I put pots in between the gain stages for wave shaping and feedback prevention? Thoughts?
Thanks!
Tubes/sockets V3, V4, V5, V6, and V11 can be used to get a circuit similar to the layout of the "normal" channel of a Fender AB763 Deluxe (schematic). Power transformers for both amps are close in output voltages (Hammond 350V, Fender 325V), yet somehow the Fender is sending 420VDC to the OT, whereas the Hammond only sends 320VDC to the OT. I don't see any voltage doublers in the Fender power supply or anything like that, what would account for the higher output voltage of the Fender power supply?
There are also many now unused tube sockets that I'd like to make useful. V1, V2, V7, V8, V10 are 7 pin sockets, and V9 is a 9 pin socket. For the sake of cost, I wanted to use the original tubes for the 7 pin sockets. V8 and V9 will likely be a reverb circuit. How can I determine if T4, T5, or T6 would be suitable for the reverb transformer?
That leaves four pentodes, maybe to be used as onboard gain channels. Should I strap them for triode operation, or keep them pentode? The odd order harmonics of pentode operation would better simulate transistor distortion. Should I put pots in between the gain stages for wave shaping and feedback prevention? Thoughts?
Thanks!
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