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Originally posted by g1 View PostSo the measured sag seems to tell us it's not a PT issue.
This resistance (aka equivalent source resistance, needed for PSUD2) consists of the winding DCR plus the reflected primary DCR.
Sag is the voltage drop across this total source resistance and thus can be calculated from the resistance and the load current.
The core has no influence on sag.
BTW, a transfomer cannot saturate by load current.
Last edited by Helmholtz; 06-25-2021, 04:27 PM.- Own Opinions Only -
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I just built a functional paraphase circuit using 12at7 you can easily drive you kt88. 6db global nfb applied. With 2.5 Vpk input sensitivity think is just enough to drive from tone control output. Slight tweaking may be necessary. You may share the bias cathode resistors linking together as in original circuit, it will not make any difference as time are full bypassed Please get inspired if you feel.
Late edit: series nfb resistor 1k was used from 16 ohm tap/ not 470 ohm. Common OT tap should be isolated from chassis.
I fast wired a B15 style preamp with -20db James tone control in between, using 12ax7 in front and definitely get some low end lovers may use.. Not too bad to push 300W rms with just two tubes in preamp...Last edited by catalin gramada; 06-27-2021, 07:49 AM."If it measures good and sounds bad, it is bad. If it measures bad and sounds good, you are measuring the wrong things."
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Originally posted by catalin gramada View PostI just built a functional paraphase circuit using 12at7 you can easily drive you kt88. 6db global nfb applied. With 2.5 Vpk input sensitivity think is just enough to drive from tone control output. Slight tweaking may be necessary. You may share the bias cathode resistors linking together as in original circuit, it will not make any difference as time are full bypassed Please get inspired if you feel.
Late edit: series nfb resistor 1k was used from 16 ohm tap/ not 470 ohm. Common OT tap should be isolated from chassis.
I fast wired a B15 style preamp with -20db James tone control in between, using 12ax7 in front and definitely get some low end lovers may use.. Not too bad to push 300W rms with just two tubes in preamp...
And can you elaborate on that OT common arrangement?
I may try something similar with the 6SN7, 6dB feedback is cutting it close but certainly worth a try.
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That simple. In original circuit you have 240 ohm shunt nfb resistor in series with first cathode. Because the cathode is not full bypassed but partial you will loose some of you precious gain rising in same time the internal tube resistance. You need to make the shunt resistor as small as practical, but take a look at circuit: the series nfb resistor is also the bias resistor for those cathode: the closed path from cathode run also from: cathode- series nfb- OT secondary-signal ground which is in parallel with cathode- shunt nfb- bias resistor- signal ground. You don't need to bias the tube through series nfb resistor and OT secondary winding. This is a unwanted consequence of the circuit as time you want to keep common OT tied to the ground. But there is no real reason to do that. (..allright there are some but not subject of our analysis). Close the nfb loop over nfb series/shunt resistor and bias the tube just from bias resistor not through series nfb in parallel with bias resistor-. The common OT wire should not touch the ground, you need isolated speaker jacks.
And btw be careful when you do the measurements with your scope, sometimes may create a loop path through ground probe clip- earthing wire..and depend what you measure you may involuntary run some currents in circuit through this path....that's can happen...sometimes..
The "floating" OT secondary will not harm anything.Last edited by catalin gramada; 06-28-2021, 06:58 PM."If it measures good and sounds bad, it is bad. If it measures bad and sounds good, you are measuring the wrong things."
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Last edited by catalin gramada; 06-28-2021, 05:26 PM."If it measures good and sounds bad, it is bad. If it measures bad and sounds good, you are measuring the wrong things."
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Originally posted by hylaphone View Post
-- how far up the audio band do the PI outputs stay symmetrical?"If it measures good and sounds bad, it is bad. If it measures bad and sounds good, you are measuring the wrong things."
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Originally posted by catalin gramada View PostAnyhow found a slightly phase delay in between and I wonder myself where this problem come from and how I can align it ?
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Originally posted by catalin gramada View Post
I didn't found any difference in amplitude of both inverted/non inverted at least 20kcps. Anyhow found a slightly phase delay in between and I wonder myself where this problem come from and how I can align it ?
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Originally posted by hylaphone View Post
I was able to fix the phase shift by bypassing the 470K side of the divider with 150pF. This also made lower frequencies more symmetrical, but nowhere near even to 20kHz. I'll fiddle around with that more this week"If it measures good and sounds bad, it is bad. If it measures bad and sounds good, you are measuring the wrong things."
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Originally posted by hylaphone View Post
Looks like 6SL7 and 6SN7 are 3 to 4pf input capacitance... my source Z is 150 ohms, no problem
Reason is that input capacitance affects both triodes likewise.
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Originally posted by catalin gramada View Post40 cps / 400 cps / 4 kcps / 40 kcps 1Vpk at input/ no nfb applied. Yellow-inverted, blue -non inverted
In my last round of tests I discovered the reason for my wild PI imbalance - one of my scope probes was busted, the variable cap wasn't doing anything. Second major "senior moment" of this thread, thanks for bearing with me.
Basic 6SN7 version shows near perfect balance like yours, with low enough output Z to use 47K grid resistors for 6550. I look forward to trying out your feedback arrangement.
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