Oh yeah, we had little wooden handles with a strip of sand paper glued to it for that, but we had the whirly things too. We had rules I now forget, like #2 pencil for outlines, and #4 for lettering or some such. I know I had pencils up to #6. I remember rotate the pencil.
And we had to put a strip of masking tape - well, really the less sticking draftsman tape - on the underside of our striaghtedges and triangles and templates. That lifted it off the paper a little bit to prevent ink from wicking under and spreading out on the paper. To this day when I draw in ink against a ruler, I often slip a piece of card stock under the ruler. I am sure it is not necessary with a common drawing pen of today, but old ideas linger on.
I haven't drawn up anything in a long long time, but I did go so far as to build myself a light table in my office. My wood drawing board I think eventually made its way to the kitchen, where it helped us make bread for quite a while. I mean the kind you make toast from, not the bread in a paycheck.
There is a lot of nuance, skill, craftsmanship to this drawing thing, way more than I ever had.
Odd you should mention Lawrence Welk. Just a couple days ago a lady dropped off her mixer. She plays accordion, and I mentioned Myron Floren, and she perked up, "Oh, he's a friend of mine."
And we had to put a strip of masking tape - well, really the less sticking draftsman tape - on the underside of our striaghtedges and triangles and templates. That lifted it off the paper a little bit to prevent ink from wicking under and spreading out on the paper. To this day when I draw in ink against a ruler, I often slip a piece of card stock under the ruler. I am sure it is not necessary with a common drawing pen of today, but old ideas linger on.
I haven't drawn up anything in a long long time, but I did go so far as to build myself a light table in my office. My wood drawing board I think eventually made its way to the kitchen, where it helped us make bread for quite a while. I mean the kind you make toast from, not the bread in a paycheck.
There is a lot of nuance, skill, craftsmanship to this drawing thing, way more than I ever had.
Odd you should mention Lawrence Welk. Just a couple days ago a lady dropped off her mixer. She plays accordion, and I mentioned Myron Floren, and she perked up, "Oh, he's a friend of mine."
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