So:
I have this EH-125. It has had a tone control added at some point. Wired from the grid of one of the output 6V6s to ground. The effect is interesting and not entirely musical.
The original volume control is just a pot on one the input jacks ("Mic")before the pre-amp 6SJ7. The other two inputs "Instr1" and "Instr2" go straight to the grid of the 6SJ7 with no volume control. Changing the volume control very definitely changes the tone on the mic input.
I'm trying to keep this thing as stock as possible. But make it sound as good as it can be while being usable in the modern world. I know that there's a huge element of subjectivity in all of this, so opinions are welcomed.
The valve lineup is 6SJ7 pre-amp, 6J5 Cathodyne PI and 2 x 6V6 O/P. With the tone and volume controls bypassed, the gain is adequate but not spectacular. It's a 1940s jazzers amp for heavens sake, not a 5150.
I'm thinking of moving the volume control so that it's between the 6SJ7 and the 6J5 and wiring the tone like an AC30 "cut" control - i.e. between the grids of the two O/P valves. I reckon that this is my best bet for not losing too much gain through insertion loss. I'm guessing that this was why the original tone control was wired like it is. (Likewise putting the volume control at the front minimises losses there). But that 6SJ7 has a 1M anode resistor - so even a 1M volume pot after it will instantly lose 6dB of gain.... Looking at a 5C1 champ, which I just happen to have lying around, that uses a 250K plate on the 6SJ7 and a 1M volume control
Of course that 6J5 socket could be rewired for a 6SN7 which would let me use the lossiest, best sounding tone control in the history of the universe. But that would be wrong, wouldn't it?
Any thoughts?
(apologies for mixing anode/plate and valve/tube)
I have this EH-125. It has had a tone control added at some point. Wired from the grid of one of the output 6V6s to ground. The effect is interesting and not entirely musical.
The original volume control is just a pot on one the input jacks ("Mic")before the pre-amp 6SJ7. The other two inputs "Instr1" and "Instr2" go straight to the grid of the 6SJ7 with no volume control. Changing the volume control very definitely changes the tone on the mic input.
I'm trying to keep this thing as stock as possible. But make it sound as good as it can be while being usable in the modern world. I know that there's a huge element of subjectivity in all of this, so opinions are welcomed.
The valve lineup is 6SJ7 pre-amp, 6J5 Cathodyne PI and 2 x 6V6 O/P. With the tone and volume controls bypassed, the gain is adequate but not spectacular. It's a 1940s jazzers amp for heavens sake, not a 5150.
I'm thinking of moving the volume control so that it's between the 6SJ7 and the 6J5 and wiring the tone like an AC30 "cut" control - i.e. between the grids of the two O/P valves. I reckon that this is my best bet for not losing too much gain through insertion loss. I'm guessing that this was why the original tone control was wired like it is. (Likewise putting the volume control at the front minimises losses there). But that 6SJ7 has a 1M anode resistor - so even a 1M volume pot after it will instantly lose 6dB of gain.... Looking at a 5C1 champ, which I just happen to have lying around, that uses a 250K plate on the 6SJ7 and a 1M volume control
Of course that 6J5 socket could be rewired for a 6SN7 which would let me use the lossiest, best sounding tone control in the history of the universe. But that would be wrong, wouldn't it?
Any thoughts?
(apologies for mixing anode/plate and valve/tube)
Comment