With considerable help from RG Keen and Steve Daniels' FAQs, and a friend who sent me an assortment of germanium transistors.
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Something with silicooties...
Chuck"Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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makes more sense to buy a pre-sorted pair IMO. Old radios, tape players could be a source of small transformers which could be used as a pickup simulator cct. (see AMZ) to use with wah and fuzz. I highly recommend trying wah to buffer to PU sim. to fuzz. A wah'ed fuzz that works well sort of sounds like you fed the wah PCP and acid--magnifies the effect a (thousand?)fold.
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You guys saw right through me! Of course it's a Fuzz Face. The transistors I used are just the two that tested best for leakage out of the whole lot. The OC44 has a gain of about 175, which makes for some real fiery distortion, but it does seem to clean up nicely with the guitar volume. To my ear it sounds better than with another AC128 in the front end. I was surprised to see that the AC128 is a portable radio output transistor with a rating of 1 amp, and probably a worse leakage spec than a small-signal device would have.
I got best results by turning the fuzz control up full and using the guitar volume to control the distortion. Turning the fuzz control down just made it sound crap, a swarm of mosquitoes trapped in a coffee grinder springs to mind.
Dai H: I take it by pickup simulator, you mean some sort of circuit that lets you connect a Fuzz Face after a wah pedal without it malfunctioning?
Sweetfinger: Been there, done that
Anyway, off to look for zinc-carbon batteries..."Enzo, I see that you replied parasitic oscillations. Is that a hypothesis? Or is that your amazing metal band I should check out?"
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steve,
the PU sim. is basically just an inductor from 2 to 3H (range to simulate typical inductance of a PU) with a variable R (to obtain the DCR). I don't quite understand it, but apparently the PU when connected to the FF becomes part of the circuit, and had something to do with achieving the "cleans up when vol. pot is turned down" behavior. The more "primitive" model apparently sometimes used is just the VR. The buffer is just a buffer to give the wah output low impedance drive, since I think the FF input is low making it difficult for a typical wah output to drive (which results in the wah effect not working very well with weakened effect sound and possible squealing). The buffer part I think is more important to get to the better working fuzz wah effect. Here's a pic of my experiment, an ordinary FET buffer and a couple of inductors (one from a wah, one unknown, one driver transformer from an old Sony cassette deck) in series. I couldn't measure them at the time, but after I bought an LCR meter I found I was within the target value (2.something Henries).
Guitar Pickups Simulation
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right, well I'm glad that works for you but if you read above, use of a resistance was mentioned.
The more "primitive" model apparently sometimes used is just the VR.
fwiw the Fulltone '69 (their version of a FF) uses a 50k VR at the input so maybe wah interaction is part of the reason.
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I got best results by turning the fuzz control up full and using the guitar volume to control the distortion. Turning the fuzz control down just made it sound crap, a swarm of mosquitoes trapped in a coffee grinder springs to mind.
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Originally posted by dai h. View Postright, well I'm glad that works for you but if you read above, use of a resistance was mentioned.
The more "primitive" model apparently sometimes used is just the VR.
fwiw the Fulltone '69 (their version of a FF) uses a 50k VR at the input so maybe wah interaction is part of the reason.
The fuzz face is a pretty neat circuit- it does so much with so little but it's so sensitive to different parts and inputs!
jamie
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